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video:
Arvo Pärt: Da Pacem Domine 請賜平安
2013.5.20
北歐音畫夏季音樂會 2
大東文化藝術中心演藝廳
指揮: 科勒.漢肯 Kåre Hanken
Da pacem Domine - Arvo Pärt
請賜平安 - 佩爾特
愛沙尼亞當代著名作曲家佩爾特(Arvo Pärt, 1935-),1976年起,他創造出以單一和弦支撐全曲結構的作曲手法,如教堂的單一鐘聲般,稱為「鐘」(tintinnabuli)手法,代表作為〈聖母讚主曲〉(Magnificat, 1989)。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾(J... more2013.5.20
北歐音畫夏季音樂會 2
大東文化藝術中心演藝廳
指揮: 科勒.漢肯 Kåre Hanken
Da pacem Domine - Arvo Pärt
請賜平安 - 佩爾特
愛沙尼亞當代著名作曲家佩爾特(Arvo Pärt, 1935-),1976年起,他創造出以單一和弦支撐全曲結構的作曲手法,如教堂的單一鐘聲般,稱為「鐘」(tintinnabuli)手法,代表作為〈聖母讚主曲〉(Magnificat, 1989)。〈請賜平安〉是2004年受西班牙古樂專家沙瓦爾(Jordi Savall, 1942-)委託而作,他在女中音聲部置入葛利果聖歌素材,其餘聲部尾隨作和聲變化,安靜地呈現樂曲,佩爾特也特別將這首禱詞獻給2004年馬德里車站爆炸案的犧牲者。
Da pacem Domine, in diebus nostris
quia non est alius
qui pugnet pro nobis
nisi tu Deus noster.
主啊!在我們活著的每一天,請賜我們平安
因為除你以外
再沒有誰
會為我們而爭戰
video:
Which Was The Son of - Arvo Pärt
Which Was The Son of - Arvo Pärt
Live performance, September 18, 2022
Village Presbyterian Church
Prairie Village, Kansas
blog:
Helping your singers learn to hold a harmony Part on Their own
[A version of this article First appeared as a post on my blog From The Front of The Choir]
Singers in a choir are used to singing Their harmony Part surrounded by oThers singing The same thing. Holding a Part by Themselves in a small group ...
group:
Corale maschile Priamo Gallisay
From The desire of some now grown-up boys, coming from The most diverse singing experiences, The Priamo Gallisay Male Choir was born in 2007 which immediately characterized itself for an unusual repertoire in The Nuoro musical panorama. In 2012, The Birth... moreFrom The desire of some now grown-up boys, coming from The most diverse singing experiences, The Priamo Gallisay Male Choir was born in 2007 which immediately characterized itself for an unusual repertoire in The Nuoro musical panorama. In 2012, The Birth of The Priamo Gallisay Cultural Association completes The cultural path desired by The founders. The Corale has about 30 members among its ranks.
video:
Christmas Day Is Come
"Christmas day is come, let us prepare for mirth
Which fills The heavens and earth at his amazing Birth
And you, oh glorious star, that with new splendor brings
From The remotest Parts three learned eastern kings
Cease you blessed angels, clamoro... more"Christmas day is come, let us prepare for mirth
Which fills The heavens and earth at his amazing Birth
And you, oh glorious star, that with new splendor brings
From The remotest Parts three learned eastern kings
Cease you blessed angels, clamorous noise to make
Though midnight silence favors, shepherds are awake
And you, oh glorious star, that with new splendor brings
From The remotest Parts three learned eastern kings
Gloria in excelsis deo...
Christmas is in glory, all torment past
What 'ere betide us now grant us The same at last
Through both Thy joyous angels in strife and hurry fly
With glory and hosanna They cry."
Set by Michael McGlynn of ANÚNA
Courtney Williams, soloist
www.kantoreikc.org less
blog:
Part Recordings for virtually any piece
Greetings again, fellow music educators!
You can now get Part recordings sung by professional singers for virtually any choral piece to help your students learn challenging music on Their own time at a much faster rate. Part ...
video:
Bach Kantate No. 4 Cantata BWV 4, "Christ lag in Todesbanden" - Sinfonia & Versus I, [CorofyL]
Coro de la Facultad de Filosofía y Letras (UBA)
Director: Andrés Aciar
Iglesia Santa Julia, Ciudad de Buenos Aires
1 de junio, 2008
[CorofyL]:
Adán Cantilo
Adriana Marasco
Andrés Pinto
... moreCoro de la Facultad de Filosofía y Letras (UBA)
Director: Andrés Aciar
Iglesia Santa Julia, Ciudad de Buenos Aires
1 de junio, 2008
[CorofyL]:
Adán Cantilo
Adriana Marasco
Andrés Pinto
Carlos Carmona
Carlos Rosas
Claudio Castro
Claudio Palazzo
Fabiana Ferrari
Flavia Axelirud
Gisela Rigone
Guillermina Forn y Puig
Hernán Rustein
Juan Pablo Vercesi (asistente de dirección)
Luciana Puchir
Magalí Sandgarten
Marcos Javier Liljesthröm
Margot Cueto
María del Rosario Sánchez
Martha Gnarini
Patricia Andreozzi
Romina Rigone
Instrumentistas:
Cecilia Luna, violín
C... less
video:
He Tamaiti ō te Ao Tukupū (T Komene)
Takerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of Birth, rejoicing in its chaos and The process of creation. This new commission revolves around The creation of a person with endless potential. The text centres on a well-know whakatauki or ... moreTakerei Komene’s 'He Tamaiti ō te Ao Tukupū' is a celebration of Birth, rejoicing in its chaos and The process of creation. This new commission revolves around The creation of a person with endless potential. The text centres on a well-know whakatauki or proverb:
Whāia te iti kahurangi, ki te tuohu koe, me he maunga teitei
[Seek that which you treasure most – if you must bow your head, let it be to The loftiest of mountains]
A mihi pepeha, hailing The fabrics of space and The throes of The heart, is joined by The organ – a giant celestial factory, chaotic and cacophonous, with great starry arms placing pieces into unique moulds forming The fragments of The final section of The work – a mighty invocation of The whakatauki. less
blog:
Why basses can’t remember Their Part
[this is a version of a post which First appeared on my blog From The Front of The Choir]
It always seems to be The basses who forget Their Part. I used to think it was a bloke thing, but now I realise that There are good reasons why it’s h...