A choral ensemble of talented boys drawn from high schools and Colleges around Kenya. The choir is dedicated to moulding a world-class choral outfit that offers a platform for Kenyan Boys to nurture their natural talents in Music, dance, and drama while i...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">A choral ensemble of talented boys drawn from high schools and Colleges around Kenya. The choir is dedicated to moulding a world-class choral outfit that offers a platform for Kenyan Boys to nurture their natural talents in Music, dance, and drama while imparting life principles of discipline, hard work perseverance, persistence and determination. in order to shape a youth citizenry that is responsible and of impeccable integrity for effective leadership in the society, the choir advocates for the attainment of quality education for its members. Education is elementary in the augmentation of any individual towards being a responsible and an empowered member of the society; a fact that the Kenyan Boys Choir believes in and strives to inculcate.  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='None';">less

'God be in my head' by Fraser Wilson Text from the Sarum Primer (16th century, Salisbury) sung by THE RIVELin SinGERS in Wells Cathedral Chapter house copies available from http://www.freewebstore.org/Fraser-Wilson-Music/God_be_in_my_head/p1610060_76...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">'God be in my head' by Fraser Wilson Text from the Sarum Primer (16th century, Salisbury) sung by THE RIVELin SinGERS in Wells Cathedral Chapter house copies available from http://www.freewebstore.org/Fraser-Wilson-Music/God_be_in_my_head/p1610060_7611403.aspx more information at www.fraserwilson.org.uk This version is for Richard Bannister  

Gresley Male Voice Choir at the Great Unitarian Meeting house, Hinckley 6/9/2014 singing "Arise O Sun"

Brooklyn Choral Artists Serendipity String Quartet Clorinda Panebianco, oboe Gerrit Scheepers, conductor live recording of performance at Nazareth house Chapel, Pretoria on Sunday, September 9, 2018.

Anthem composed by Samuel Wesley, sung at Canterbury Cathedral in the 1986 RSCM course under Martin Howe. (I was one of the altos). in exitu Israel de Aegypto, domus Iacob de populo barbaro. When Israel went out of Egypt, the house of Jacob from a ba...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">Anthem composed by Samuel Wesley, sung at Canterbury Cathedral in the 1986 RSCM course under Martin Howe. (I was one of the altos). in exitu Israel de Aegypto, domus Iacob de populo barbaro. When Israel went out of Egypt, the house of Jacob from a barbarous people: Facta est Iudaea sanctificatio eius, Israel potestas eius. Judea made his sanctuary, Israel his dominion. Mare vidit et fugit, Iordanis conversus est retrorsum. The sea saw and fled: Jordan was turned back.  

Hljómeyki Chamber Choir sings Carol, by Benjamin Britten. Song from the Sacred and Profane song cycle. Concert in the Nordic house, Reykjavík. Conductor Marta G. Halldórsdóttir.

London chamber choir Vasari Singers, directed by Jeremy Backhouse, perform the Rachmaninov Vespers. Filmed during a live concert performance at Lincoln Cathedral Chaper house, April 2014. On the web: http://www.vasarisingers.org On Facebook On Twit...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">London chamber choir Vasari Singers, directed by Jeremy Backhouse, perform the Rachmaninov Vespers. Filmed during a live concert performance at Lincoln Cathedral Chaper house, April 2014. On the web: http://www.vasarisingers.org On Facebook On Twitter: @vasarisingers  

For the 25th anniversary concert, Bell'Arte alumni joined with current choir members, with Stephen Hatfield conducting his own compositions, including "Hard Shoulder". Stephen Hatfield on Hard Shoulder: Written to hoNour the house of Compassion, a ...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">For the 25th anniversary concert, Bell'Arte alumni joined with current choir members, with Stephen Hatfield conducting his own compositions, including "Hard Shoulder". Stephen Hatfield on Hard Shoulder: Written to hoNour the house of Compassion, a Toronto outreach to street people, Hard Shoulder is narrated by the street people themselves. Although there is No explicit language, the reality of life on the streets is still presented in an unvarnished way that hits audiences where they didn't expect to be hit. The struggle of the homeless, and of the people who wish to help them, is presented without platitudes, without sentimentality, and without easy answers, but the final message of the piece is humanitarian with a capital H.  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='None';">less

CONCERT: Women Singing Women LOCATION: Cerimon house, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F....  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">CONCERT: Women Singing Women LOCATION: Cerimon house, Portland, OR DATE: February 2019 VIDEO BY: Wolftraks LISTEN (Melissa Dunphy) [2019 Resonance Ensemble Commission] Texts adapted from testimony before the Senate Judiciary Committee, by Anita F. Hill and Christine Blasey Ford Katherine FitzGibbon, conductor The composer writes: Writing LISTEN was an emotional process. The first hurdle was deciding which excerpts from the testimonies of Anita Hill and Christine Blasey Ford to set, which meant reading and listening and living inside these women’s harrowing stories for an extended period. And like most women, the most discomfiting aspect of listening to their testimony is the recognition. When I first heard about Ford’s experience, I was disturbed by its similarity to an incident that happened to me. I went to an all-girls private school, and we sometimes partnered with an all-boys private school for musicals. One night when I was 15, after a performance, while we were still on stage, one of the boy...    ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='None';">less

London chamber choir Vasari Singers, directed by Jeremy Backhouse, perform the Rachmaninov Vespers. Filmed during a live concert performance at Lincoln Cathedral Chaper house, April 2014. On the web: http://www.vasarisingers.org On Facebook On Twit...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='None';">moreNone;">London chamber choir Vasari Singers, directed by Jeremy Backhouse, perform the Rachmaninov Vespers. Filmed during a live concert performance at Lincoln Cathedral Chaper house, April 2014. On the web: http://www.vasarisingers.org On Facebook On Twitter: @vasarisingers