The Classic Choral Society, established in 1959, is a non-for-profit arts organization, community chorus of adult singers dedicated to the study and performance of great choral works. Since 1992, it is under the direction of Janiece Kohler. Classic Chora...  moreThe Classic Choral Society, established in 1959, is a non-for-profit arts organization, community chorus of adult singers dedicated to the study and performance of great choral works. Since 1992, it is under the direction of Janiece Kohler. Classic Choral Society membership is open to any adult with experience singing in a church, school or community choir. For more information, call 845-713-4543 or 914-456-3385 or visit www.classicchoralsociety.org. Like us on facebook: http://www.facebook.com/pages/Classic-Choral-Society/184763761538974 ExtremeSoprano: https://www.youtube.com/channel/UCJtwWW_Xp8yj9oSmGgUZNow  less

for SATB Chorus unaccompanied Sung in Hebrew Music by Salomone Rossi and Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. The music by Stanley M. Hoffman is © Copyright 2010 by Stanley M. Hoffman. www.sta...  morefor SATB Chorus unaccompanied Sung in Hebrew Music by Salomone Rossi and Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. The music by Stanley M. Hoffman is © Copyright 2010 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The sheet music is available from the composer and from oySongs.com.  

Hafa adai Cantate-ians! We are gearing up for another exciting season. First rehearsal starts, Thursday, Aug 1st at St. John's parish hall in upper tumon. Singers of all ages and abilities are welcome. No auditions needed. We're looking for solos, du...

The Brazilian Virtual Choir Lab in Australia - August to October 2021 final Project Song: Desde que o Samba é Samba Composer: Caetano Veloso Arrangement: Patricia Costa e Vicente Costa Nucci Soprano Annika Wagar Corina Horstra Dea Hughes...  moreThe Brazilian Virtual Choir Lab in Australia - August to October 2021 final Project Song: Desde que o Samba é Samba Composer: Caetano Veloso Arrangement: Patricia Costa e Vicente Costa Nucci Soprano Annika Wagar Corina Horstra Dea Hughes Helen Kolawole Kara Robinson Kim Asher Alto Cathy Symington Elizabeth Waddel JuLiet Gore Leah Marlowe Sandy Clinton Alto Tenor Anna Dehne Caroline Chandler Diana May Clark Helen Davey Maree Coffman Yvonne Gora Tenor / Baritone David Stephensen John Watts Jose M Marques Justin Presser Tony Brand Vyv Rodnight Acoustic Guitar : Vicente Costa Nucci Drums and Percussion: Mila Schiavo Bass: Diego do Valle 2o QUADRO Music Director and Scriptwriter: Vicente Costa Nucci Producer and Coordinator: Mila Schiavo Host and Coordinator in Australia: Diana May Clark Sound Engineering and Video Editing: Diego do Valle Videos and Photos: Personal videos by The Brazilian Virtual Choir Lab participants and Ocean’s vid...    less

This is a choral setting of 'Nimrod' from Sir Edward Elgar's Enigma Variations, arranged by John Cameron. It was recorded during rehearsal for the recital of 'sacred Choral Classics' given by St Peter's Singers on Saturday 14th March 2009 in the church o...  moreThis is a choral setting of 'Nimrod' from Sir Edward Elgar's Enigma Variations, arranged by John Cameron. It was recorded during rehearsal for the recital of 'sacred Choral Classics' given by St Peter's Singers on Saturday 14th March 2009 in the church of St Michael and All Angels, Thornhill, near Dewsbury, West Yorkshire. The choir is directed by Dr Simon Lindley. More details of St Peter's Singers' forthcoming series of concerts, recitals and services, together with audio clips from recent performances and CD recordings, may be found at www.stpeters-singers.org.uk  less

The Surrey Children's Choir family represents 3 choirs, a Junior Training Choir, an Intermediate Training Choir, and the Senior Surrey Children's Choir. The "family" also includes older levels, a treble chamber choir, a mixed young adult chorus...  moreThe Surrey Children's Choir family represents 3 choirs, a Junior Training Choir, an Intermediate Training Choir, and the Senior Surrey Children's Choir. The "family" also includes older levels, a treble chamber choir, a mixed young adult chorus, and a community adult chorus. The Junior and Intermediate Training Choirs (JTC and ITC) provide a program of sequentially developed skills which prepare choristers for admission into the Surrey Children's Choir. The training choirs perform annually at the Family Christmas Concert and Year End concert (held in May of each year). They also often compete at the Fraser Valley Kiwanis Music Festival, always with great results. The training choirs may also perform at various events in the community. The SCC, a treble-voice choir of boys and girls aged 12-18 is a consistent gold medal winner at local festivals, hailed by Gerald Van Wyck, Vancouver Community College professor as "one of the best children's choirs in Canada". These exuberant young vo...    less

Recorded on January 10th, 2011. Quem Vidistis, Pastores?, by Tomas Luis de Victoria (1548-1611). "Whom have you seen shepherds? Speak, tell us who has appeared! We have seen the new-born and a chorus of Angels praising God. Alleluia. Speak, what have you ...  moreRecorded on January 10th, 2011. Quem Vidistis, Pastores?, by Tomas Luis de Victoria (1548-1611). "Whom have you seen shepherds? Speak, tell us who has appeared! We have seen the new-born and a chorus of Angels praising God. Alleluia. Speak, what have you seen! Tell us of the birth of ChriSt. We have seen the new-born and a chorus of Angels praising God. Alleluia." CONTINUUM is the newest and most dynamic early music ensemble on the UK classical music scene. Under the collaborative leadership of top producer and director Adrian Peacock, the internationally renowned expert in Spanish early music Bruno Turner, and bass-baritone Jamie W. Hall, CONTINUUM brings together twelve of the finest professional consort singers in London, carefully chosen to produce a unique and vibrant sound that celebrates the very best qualities of the English choral tradition and the powerful beauty of the uninhibited human voice. This all-male ensemble has made 16th century Spanish sacred polyphony and chant the core of its rep...    less

Veshameru for Baritone or Alto Solo, SATB Chorus and Organ: Music by Stanley M. Hoffman (1993, rev. 2000) Performed by The Philovox Ensemble Jennifer Lester, conductor Heinrich Christensen, organ Music: © Copyright 2000 by Ione Press, Inc., ...  moreVeshameru for Baritone or Alto Solo, SATB Chorus and Organ: Music by Stanley M. Hoffman (1993, rev. 2000) Performed by The Philovox Ensemble Jennifer Lester, conductor Heinrich Christensen, organ Music: © Copyright 2000 by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. Photograph: Pipe Organ, Spanish Synagogue, Prague © Jorge Royan www.royan.com.ar CC-BY-SA-3.0 Used under the following license: Commons Attribution-ShareAlike 3.0 Unreported License. Recording: © Copyright 2000 by ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission.  less

The second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di ...  moreThe second of three movements by composer Joseph Dillon Ford for male chorus, based on Dante's The Divine Comedy (L'inferno), sung by the dwsChorale. Video recreated in honour of the composer Vidi una porta, e tre gradi di sotto per gire ad essa, di color diversi, e un portier ch' ancor non facea motto. [I saw a portal, and three stairs beneath, Diverse in colour, to go up to it, And a gate-keeper, who yet spake no word] Poi pinse l' uscio a la porta sacrata, dicendo: "Intrate; ma facciovi accorti che di fuor torna chi ' n dietro si guata" [Then pushed the portals Of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”] Io mi rivolsi attento al primo tuono, e ' Te Deum laudamus' mi parea udire in voce mista al dolce suono. [At the first thunder-peal I turned attentive, And _”Te Deum laudamus”_ seemed to hear In voices mingled with sweet melody.]  less