Adapted from Gustav Holst's 'The Planets' Suite - Holst set two verses of a poem by Sir Cecil Spring-Rice using part of 'Jupiter'. This arrangement by Paul Ayres www.paulayres.co.uk Conducted by david Crown

German folksong about two hares escaping the hunter Arranged for mixed choir (SAB) by david W Solomons images from Walter Crane's Baby Bouquet. Words (slightly amended by Pastor Joachim Bremer) (translation below) Zwischen Berg und tiefem, tiefem Tal...  moreGerman folksong about two hares escaping the hunter Arranged for mixed choir (SAB) by david W Solomons images from Walter Crane's Baby Bouquet. Words (slightly amended by Pastor Joachim Bremer) (translation below) Zwischen Berg und tiefem, tiefem Tal saßen einst zwei Hasen, fraßen ab das grüne, grüne Gras, fraßen ab das grüne, grüne Gras, bis auf den Rasen. Als sie sich nun satt gefressen hatten, Setzten sie sich nieder, Bis dass der Jäger Jäger kam Bis dass der Jäger Jäger kam, Und schoss sie nieder. Als sie sich nun aufgerappelt hatten, Und sie sich besannen, Dass sie noch am lieben Leben war'n, Dass sie noch am lieben Leben war'n, Hoppelten sie von dannen. ========== Between the mountain and the deep valley there were once two hares sitting eating up the green green grass right down to the ground When they had had their fill They sat down Until the hunter came and shot them down When they came back to their senses and realised they were still alive they hopped away.  less

A week ago we had the honour of premiering this work in Córdoba at our anual end of the year gala concert. The Lamb, by John Tavener (1944-2013), with lirycs by William Blake (1757-1827), music that inspire reflection and perhaps will make you move to an ...  moreA week ago we had the honour of premiering this work in Córdoba at our anual end of the year gala concert. The Lamb, by John Tavener (1944-2013), with lirycs by William Blake (1757-1827), music that inspire reflection and perhaps will make you move to an universe of peace...  

Reading Phoenix Choir perform Bob Chilcott's popular Irish Blessing. Recorded at the choir's Annual Concert at Reading Town Hall in January 2012 and conducted by david Crown.

Concerto Polifonico - Chiesa Concattedrale del SS. Salvatore, Messina, 26/12/2011

Coro RS of the University of Santo Tomas with their choice piece for Himig Tomasino 2009 Inter-collegiate Chorale Songfest Piece: Purihin Si Yahweh Conductor: Ken Lizardo

Coro Note Blu is a non-profit association. It was established in Rome (Italy) with the aim of promoting and encouraging musical activities and the practice of choral singing. The choir has taken part or organized more than 800 concerts, shows and music...  moreCoro Note Blu is a non-profit association. It was established in Rome (Italy) with the aim of promoting and encouraging musical activities and the practice of choral singing. The choir has taken part or organized more than 800 concerts, shows and musical events in churches and places of culture in Rome, Italy and abroad. It took part in choral competitions, celebrations, weddings and commemorations. The choir sings mostly a cappella and its repertoire ranges from sacred and spiritual music to popular music and from 16th century polyphony to choral works by contemporary authors, focusing especially on Italian composers.  less

XIV Rassegna polifonica "Chori Chantantes" - Militello in Val di Catania - 15/09/2011

Composed by david Warin Solomons www.dwsolo.com Conductor: Pad Zoltán Performed by: Countertenors Csapó József, Bárány Péter, Gavodi Zoltán. Tenors Fodré Lajos, Pivarcsi Gábor, Decsi András Basses Horváth Csaba, Silló György Béla, Melkovics Z...  moreComposed by david Warin Solomons www.dwsolo.com Conductor: Pad Zoltán Performed by: Countertenors Csapó József, Bárány Péter, Gavodi Zoltán. Tenors Fodré Lajos, Pivarcsi Gábor, Decsi András Basses Horváth Csaba, Silló György Béla, Melkovics Zoltán Organist Tabajdi Ádám  

I NEVER SAW davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.