CHŒUR DE FILLES DE FRANCE Direction : Hugo GUTIERREZ Après une longue journée scolaire... les jeunes filles du Choeur de Filles de France passent un temps convivial et fraternel dans le parc de l'Institution avant le dîner. Elles chantent ce magni...  moreCHŒUR DE FILLES DE FRANCE Direction : Hugo GUTIERREZ Après une longue journée scolaire... les jeunes filles du Choeur de Filles de France passent un temps convivial et fraternel dans le parc de l'Institution avant le dîner. Elles chantent ce magnifique chant à la mémoire des soldats tombés pour la FRANCE ! Composition de Louis-Marie David Arrangement à 5 voix égales pour chœur de filles : Hugo GUTIERREZ Choeur de Filles de France Web site : https://www.ndsf.fr/choeur-de-filles-de-france facebook : https://www.facebook.com/people/Choeur-de-Filles-de-France/100064556694386  less

The Boeing Employees Choir singing The Blessing of Aaron by Norman Ramsey and Arr. by Walter Rodby in the Cathedral of the Rock of Cashel, Ireland while on their 2015 International Tour to Ireland and Scotland. Like, Follow, and Subscribe for more Cho...  moreThe Boeing Employees Choir singing The Blessing of Aaron by Norman Ramsey and Arr. by Walter Rodby in the Cathedral of the Rock of Cashel, Ireland while on their 2015 International Tour to Ireland and Scotland. Like, Follow, and Subscribe for more Choral Music at: http://www.boeingchoir.org/ https://www.facebook.com/BoeingEmployeesChoirSeattle @BoeingChoir https://twitter.com/BoeingChoir https://soundcloud.com/boeingchoir The Rock of Cashel, also known as Cashel of the Kings and St. Patrick's Rock, is a historic site located at Cashel, County Tipperary, Ireland. Visit Tour Resource Consultants: TRC designs and produces boutique tours for choirs, orchestras, bands, academic, study abroad, and other groups, taking them on tour anywhere in the world.  less

here is a live performance of my "Choir in the Rain" song. This choir called the "Chatfield Senior High School Chantons" did a great performance I created a video based on photos of the singers and a few "special effects" The choir can be found at the ...  morehere is a live performance of my "Choir in the Rain" song. This choir called the "Chatfield Senior High School Chantons" did a great performance I created a video based on photos of the singers and a few "special effects" The choir can be found at the website: http://www.CSHchoir.org I look forward to further performances of my works by this energetic and positive choir  

Poem by Audrey Vaughan (in English) with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. I have also made a French translation and a German translation of the pi...  morePoem by Audrey Vaughan (in English) with a brief Latin introduction (meaning: "for this is my body"). Set for SATB choir. It is a meditation on the meaning of transubstantiation. I have also made a French translation and a German translation of the piece (also including the Latin introduction) which are also available on this site. Hoc est enim corpus meum The world's eternity lies here within my hand. The weight of pain, of love, redemption is a sigh upon my hand, My Christ, Lord of the infinite, small to my comfort in my hand. Humility of Love that tender here lies low. White, trusting, full of care within my hand. So, in my hand lies God. Hoc est enim corpus meum.  less

Magnificat was formed in 1991 by its Conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th cent...  moreMagnificat was formed in 1991 by its Conductor, Philip Cave, to explore the rich diversity of choral music from the last five centuries. The ensemble specialises in the restoration and performance of neglected choral masterpieces of the 16th and 17th centuries. Magnificat ranges in size from four to forty voices and performs a wide range of music, both a capella and with ensembles of period instruments. In association with Linn Records, http://www.linnrecords.com/artist-magnificat.aspx Magnificat has undertaken many recording Projects of music from ‘The Golden Age'. The First of these comprises motets by Gesualdo, Guerrero, Josquin, Rebelo and Victoria together with Allegri's Miserere and Palestrina's Stabat mater. A highly acclaimed recording of Victoria's Officium Defunctorum of 1605, named a 1997 Critics' Choice by Gramophone Magazine and chosen by The Rough Guide as one of its ‘100 Essential Classical CDs', was...    less

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo Francisco hernández, flauta de pico David Martel, teclado Carlos Mozzi, guitarra Pedro Izquierdo, timple Antonio Gutié...  moreCoral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo Francisco hernández, flauta de pico David Martel, teclado Carlos Mozzi, guitarra Pedro Izquierdo, timple Antonio Gutiérrez, Fito Travieso, percusión Beatriz Rodríguez, solista José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  less

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo Francisco hernández, flauta de pico David Martel, teclado Carlos Mozzi, guitarra Pedro Izquierdo, timple Antonio Gutié...  moreCoral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo Francisco hernández, flauta de pico David Martel, teclado Carlos Mozzi, guitarra Pedro Izquierdo, timple Antonio Gutiérrez, Fito Travieso, percusión Alejandro Gárate, solista José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Arreglos instrumentales: Olivia Pehme Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  less

Coral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 C...  moreCoral Reyes Bartlet Amerike Ensamble Olivia Pehme, Marcos Depetris, violín Paula hernández, cello Juan Carlos Baeza, contrabajo David Martel, teclado José Híjar Polo, director Iglesia de la Peña de Francia, 16 de diciembre de 2012 Concierto Extraordinario de Navidad Grabación y postproducción: Claudio Híjar, Alberto Sicilia y Cristina González Sonido: Luis Acuña Iluminación EC  

Song by Debussy for voice and piano arranged for soloist and choir [poem by Paul Bourget - English version see below] Les feuilles s'ouvraient sur le bord des branches, délicatement. Les cloches tintaient, légères et franches, dans le ciel clément....  moreSong by Debussy for voice and piano arranged for soloist and choir [poem by Paul Bourget - English version see below] Les feuilles s'ouvraient sur le bord des branches, délicatement. Les cloches tintaient, légères et franches, dans le ciel clément. Rhythmique et fervent comme une antienne, ce lointain appel me remémorait la blancheur chrétienne des fleurs de l'autel. Ces cloches parlaient d'heureuses années, et, dans le grand bois, semblaient reverdir les feuilles fanées, des jours d'autrefois. The leaves unfurled on branches so lightly delicate and soft. The bells rang out so light and free in the cloudless sky Rhythmical and fervent a distant call like the anthems of old Called to mind the pure white lilies on holy altar's sacrifice Those bells spoke to me of happier times now gone And in the great wood they seemed to revive the faded leaves of days long since passed. singing translation (c) David W Solomons  less

[this is a version of a post which First appeared on my blog From the Front of the Choir]   I’ve suddenly realised I don’t know what to call myself any more. I used to be a ‘choirmaster’ (a term I got from Gareth Malone and...