Performed by mirabai, Sandra Snow, Artistic Director Leanne King, viola Judy Kabodian, piano

The Vocal Art Ensemble presented their rendition of "O Sapo (The Toad" arranged by Stephen Hatfield as part of their "Cloudburst--Sounds of Nature" concert in May 2011. Intended to chronicle the evolution of Earth's creatures, this piece shows the utter j...  moreThe Vocal Art Ensemble presented their rendition of "O Sapo (The Toad" arranged by Stephen Hatfield as part of their "Cloudburst--Sounds of Nature" concert in May 2011. Intended to chronicle the evolution of Earth's creatures, this piece shows the utter joy of a toad hopping around his kingdom on our green planet. The women Dance and the men join in with percussion and 'toad calls'.  

Performed live at Light & Sound, Naya Chorale's end-of-season concert for 2013. Tickets are available now for this year's Light & Sound at www.nayachorale.com/concerts Naya recorded Sleep as part of our debut album which is available on iTunes: https:/...  morePerformed live at Light & Sound, Naya Chorale's end-of-season concert for 2013. Tickets are available now for this year's Light & Sound at www.nayachorale.com/concerts Naya recorded Sleep as part of our debut album which is available on iTunes: https://itunes.apple.com/au/album/naya-chorale/id771551088 Web: www.nayachorale.com Facebook: www.facebook.com/nayachorale Instagram: www.instagram.com/nayachorale Twitter: www.twitter.com/nayachorale  

Angels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the choirs at Virginia Wesleyan Colleg...  moreAngels We Have Heard on High, arr. David Zabriskie. The Virginia Wesleyan College Singers with Bryson Mortensen conducting, George Stone, piano, Lauren Lide, flute, and the Tapestry Bell Ensemble in Norfolk, VA. Like the choirs at Virginia Wesleyan College at https://www.facebook.com/The-choirs-at-Virginia-Wesleyan-College-1498497363730214/.  

Based in Auckland, New Zealand, the Greater Auckland Chorus is an award winning, dynamic female performing group who specialise in 4 part harmony a cappella singing. Looking for pulse-pounding tempos or soulful ballads? You've come to the right place. ...  moreBased in Auckland, New Zealand, the Greater Auckland Chorus is an award winning, dynamic female performing group who specialise in 4 part harmony a cappella singing. Looking for pulse-pounding tempos or soulful ballads? You've come to the right place. Our repertoire spans all musical genres, from barbershop standards to jazz and Broadway musical standards through to Pop and Rock music from the likes of Queen, Michael Jackson and The Eurythmics. Whether you're looking for a place to sing with others, or searching for a dynamic chorus or quartet to perform at your next show or corporate event, GAC are the group for you. We are made up of around 60 women from all over Auckland, from a diverse range of backgrounds, ages and occupations who come together to share a love of singing and performing. While singing at night, by day we have doctors, lawyers, real estate agents, a clinical psychologist, teachers, mums and more who all use their involvement with Greater Auckland Chorus as a crucial creative outlet. ...    less

Angels' Carol de John Rutter chanté par le Choeur d'Enfants Sotto Voce, en résidence au Théâtre du Châtelet à Paris et dirigé par Scott Alan Prouty avec Richard Davis au piano. www.choeursottovoce.com

I NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the se...  moreI NEVER SAW Davide Riva’s beautiful acapella setting for four-part mixed voices is set to the beloved poem by Emily Dickinson. The composition is divided into two repeated sections. In the first section, the choral texture is homo-rhythmic and in the second section, the voices are set into a simple counterpoint. “I Never Saw” closes on the dominant chord creating a feeling of suspension that enhances the concept of faith expressed by Dickinson.  

“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fel...  more“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line. "The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text." Trevor Shaw, Inversion Ensemble AD  less

Performed by Universitair Koor Antwerpen at their Christmas Concert "Once Upon A December" on December 19, 2017. piano: Stijn Dierckx

Hello!   Yorkshire choirs - Voices Yorkshire would love you to be a part of this exciting new project for our region!   Once upon a time, Leeds was the place to be for Choral Music and the Leeds Triennial Choral Festival was one of the ...