for SATB Chorus (divisi) unaccompanied Traditional Prayer Sung in Hebrew Synthesized performance and scrolling score in search of live performances. Musical Composition: © Copyright 1994 by Stanley M. Hoffman. © Copyright 2010 revised. All righ...  morefor SATB Chorus (divisi) unaccompanied Traditional Prayer Sung in Hebrew Synthesized performance and scrolling score in search of live performances. Musical Composition: © Copyright 1994 by Stanley M. Hoffman. © Copyright 2010 revised. All rights reserved. The sheet music is available from the composer and from oySongs.com.  

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Robin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed...  moreRobin Adair arranged for SATB choir (sung, transposed down in this video, by the one-man multitrack choir dwsChorale) [Note: a few textual errors have crept into the performance - but the score has the correct words] The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century), although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original). The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name. (This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his own parodies upon the words). Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.  less

Dear friends  IMPORTANT MESSAGE for CHOIRS SINGING RENAISSANCE MUSIC!!Requiem Mass by Antonio Gallego (c.1530) (Spanish composer recently discovered!!)(SATB) (Also contains preliminary study) Available in digital edition PDF files. Ours is the onl...

A new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. ...  moreA new carol for Christmas with music by David W. Solomons and Text by Thomas Clarke. This setting for Christmas represents the cold of a Northern winter (the cruel wind blows) although of course the actual events took place in rather warmer climes. It also reflects much of the liturgical and popular symbolism of the Christmas season: robins, holly etc and it brings our thoughts towards the season of Easter with the blood of Good Friday.  

Dedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major...  moreDedicated to apathetic, willfully ignorant people everywhere. "I don’t know. I don’t care." Mobile for SATB Chorus unaccompanied Music by STANLEY M. HOFFMAN (b. 1959) (BMI) With apologies to J. S. BACH (1680–1750) Based loosely on “Prelude in C Major” from \ The Well-Tempered Clavier, Book 1 (BWV 846, No. 1)  

INVITATION TO LOVE is a setting by Greg Bartholomew for unaccompanied mixed choir (SATB) of the poem by Paul Laurence Dunbar (1872 - 1906). Dunbar was born in Dayton, Ohio, and gained fame as a a poet, novelist and playwright. He wrote the lyrics for the ...  moreINVITATION TO LOVE is a setting by Greg Bartholomew for unaccompanied mixed choir (SATB) of the poem by Paul Laurence Dunbar (1872 - 1906). Dunbar was born in Dayton, Ohio, and gained fame as a a poet, novelist and playwright. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway. INVITATION TO LOVE is also available for solo voice or unison chorus with piano accompaniment. Recording by Matthew Curtis & Sarah Brailey (Choral Tracks). for more information: www.gregbartholomew.com/invitationindex.html #MixedChoir #Choir #ChoralMusic  less

Update: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ ...  moreUpdate: there's a new, clearer version of the score available. Also free. Please contact me: • Facebook: david.basden.9 • New email: deebee123 [at] bigpond.com - - - - - Language: Latin. Standard of difficulty: fairly easy. Duration: circa 1½ minutes. No divisi. No extreme ranges. One page. Suitable for both church and concert hall. I wrote this with the aim of presenting the prayer with as much clarity as possible. To that end, I've set the text phrase by phrase rather than as deconstructed fragments. The score may be downloaded and used for church or concert performances free of charge. Please let me know when the performance date is approaching. I'm keen to receive feedback, and I'll happily link your publicity material and website to my social media pages. Choirs are most welcome to post their own versions here on ChoirPlace.  less

for mezzo-soprano solo, choir SATB and piano Music: Jean-Christophe Rosaz Text: Fernand Gregh, Horia Badescu Citation: Eu mă duc codrul rămâne (Timotei Popovici) Duration : circa 14’ Antonia Cosmina Stancu - mezzosoprano, Alina Pavalache - piano, ...  morefor mezzo-soprano solo, choir SATB and piano Music: Jean-Christophe Rosaz Text: Fernand Gregh, Horia Badescu Citation: Eu mă duc codrul rămâne (Timotei Popovici) Duration : circa 14’ Antonia Cosmina Stancu - mezzosoprano, Alina Pavalache - piano, Ansamblul Coral „Perpetuum”, cond. Consuela Radu-Țaga --- Aula du Musée National "George Enescu" / Bucarest / Romania --- A tribute to George Enesco Libretto I L'ombre est bleue et la nuit palpite d'ors tremblants Dans l'azur, on croit voir flotter des voiles blancs Qui frémissent au souffle onduleux du mystère. Les longs voiles traînants des anges de la terre Qui montent vers les cieux, sans fin, sans bruit, en une Ascension dont l'essor tremble au clair de lune. Fernand Gregh (L' envol des anges) II Eu mă duc, codrul rămâne, Plânge frunza după mine, Tra, la, la, la, la... III Tels les yeux d’un jour sans passé et la lumière d’une larme, tel le sourire de la neige ou le matin d’un cerisier ainsi soient-elles vos âmes Horia Bade...    less

She Gave Him All Her Heart for SATB Chorus and Piano Music by Stanley M. Hoffman (2000, arr. 2004) Performed by The Philovox Ensemble Jane Ring Frank, conductor Scott Nicholas, piano Text by Zalman Shneour (1857--1959) Music: © Copyright 2006 for...  moreShe Gave Him All Her Heart for SATB Chorus and Piano Music by Stanley M. Hoffman (2000, arr. 2004) Performed by The Philovox Ensemble Jane Ring Frank, conductor Scott Nicholas, piano Text by Zalman Shneour (1857--1959) Music: © Copyright 2006 for the USA only by Ione Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. Used by permission. Ordering information: ECS Publishing Catalog No. 6625. Also available for TTBB Chorus and Piano, ECS Publishing Catalog No. 6624, Tenor and Piano ECS Publishing Catalog No. 6626, and Baritone and Piano ECS Publishing Catalog No. 6627. The sheet music for this title may be sold only be sold in the U.S.A. Text: "She Gave Him All Her Heart" by Zalman Shneour from "Poems and Poets of Israel" is used by permission of the Zalman Shneour Literary Trust and © copyright 1967 by the Trustees of Boston University. Artwork: "Flower Girl" by Malcolm Tuffnell is © copyright by Malcolm Tuffnell and is used by perm...    less