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With One Voice Sydney CBD
DID YOU KNOW THAT SINGING CHANGES YOUR BRAIN?
You’re invited to experience the joy, freedom and inspiration of Song at your local With One Voice choir!
Neuroscience proves singing makes people happier, healthier, smarter and more creative.
Creat... moreDID YOU KNOW THAT SINGING CHANGES YOUR BRAIN?
You’re invited to experience the joy, freedom and inspiration of Song at your local With One Voice choir!
Neuroscience proves singing makes people happier, healthier, smarter and more creative.
Creativity Australia (www.creativityaustralia.org.au) is building a happier, healthier, more inclusive nation through the life-changing With One Voice program. We bridge the gap between people experiencing disadvantage and those more fortunate through the neuro-scientific benefits of community singing. We build supportive networks that help people connect to brighter futures.
Creativity Australia is delighted to offer a suite of With One Voice “how to” guide videos, resources and mentoring for individuals, groups and communities looking to start new, inclusive With One Voice choirs using our innovative social franchise model.
Together, we can change the world… one voice at a time.
With One Voice choirs are led by professional conductors and meet weekly, fo... less
video:
The Czech Boys Choir - Moravian Duets (by Antonín Dvořák / Leoš Janáček)
Antonin Dvorak / Leos Janacek: The Slighted Heart (from Moravian Duets) - live recording
(in the beginning part of The Pledge of Love at the rehearsal)
November 27, 2011 - Stockey Centre, Parry Sound, ON, Canada
The Czech Boys Choir, Jakub Martinec -... moreAntonin Dvorak / Leos Janacek: The Slighted Heart (from Moravian Duets) - live recording
(in the beginning part of The Pledge of Love at the rehearsal)
November 27, 2011 - Stockey Centre, Parry Sound, ON, Canada
The Czech Boys Choir, Jakub Martinec - artistic director
Martin Fisl - pianist
Antonín Dvořák / Leoš Janáček: Dyby byla kosa nabróšená (z cyklu Moravské dvojzpěvy) - živý záznam koncertu
(v úvodu část Slavíkovský polečko malý ze zkoušky)
27. listopadu 2011 - Stockey Centre, Parry Sound, ON, Canada
Český chlapecký sbor, Hradec Králové, Jakub Martinec - umělecký vedoucí
Martin Fišl - klavír less
video:
NNSU Academic Choir - Vdol Po Piterskoi (Grand Hall of the Saint Petersburg Philharmonic)
Народный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Выступление на Международном хоровом фестивале в Санкт-Петербурге 30 мая 2009. Русская народная песня (обр. И. Семенкова) - Вдоль по питерской.
Nizhny Novgor... moreНародный коллектив России Академический Хор Нижегородского государственного университета (ННГУ). Выступление на Международном хоровом фестивале в Санкт-Петербурге 30 мая 2009. Русская народная песня (обр. И. Семенкова) - Вдоль по питерской.
Nizhny Novgorod State University Academic Choir (NNSU Choir). Performance at the International Choral Festival in Saint Petersburg, 05/30/2009. Russian Folk Song (arr. I. Semenkova) - Vdol Po Piterskoi (Along The Piterskaya).
video:
Ant aukšto kalnelio, muz. D.Zakaro
"High On The Hill"
Music and lyrics by D. Zakaras,
The church of St. Catherine of Alexandria, 2010, St.Petersburg
The Song is about the eternal human desire to seek its star, loving heart and desire to realize his dream.
«На высоком холме» му... more"High On The Hill"
Music and lyrics by D. Zakaras,
The church of St. Catherine of Alexandria, 2010, St.Petersburg
The Song is about the eternal human desire to seek its star, loving heart and desire to realize his dream.
«На высоком холме» музыка и слова: Донатас Закарас
Песня о вечном стремлении человека к поискам своей звезды, любящего сердца и желанию воплотить в жизнь свою мечту.
video:
Green grow the rushes oh for three voices
arranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D))
These arrangements of the Song skip from 5 to 12 in order to avoid tiring the audience
("Let's not make them listen to the lot!")
This version in G is per... morearranged by D W Solomons: for men's voices (in G), mixed voices (in B) and women's voices (in D))
These arrangements of the Song skip from 5 to 12 in order to avoid tiring the audience
("Let's not make them listen to the lot!")
This version in G is performed here by Matthew Curtis