A movement from the Choral Symphony "In Repentance". Performed by Masterworks Chorale of Augsburg College. Artistic director and conductor, Peter Hendrickson.

Written in 1848 for the Choir of what was then Leeds Parish Church, 'Cast me not away' is a masterpiece in miniature. Owing much to the polyphonic work of the Renaissance, the motet is a deeply-felt work written during Wesley's period of recuperation fro...  moreWritten in 1848 for the Choir of what was then Leeds Parish Church, 'Cast me not away' is a masterpiece in miniature. Owing much to the polyphonic work of the Renaissance, the motet is a deeply-felt work written during Wesley's period of recuperation from a fall whilst out fishing in the North Yorkshire countryside at Helmsley. The chromatic clashes at the words "the bones which Thou hast broken" are almost certainly reflective of the pain the composer had suffered, for his leg was badly broken and he walked ever after with a noticeable limp. This performance was recorded in Leeds Minster on Sunday 28th April 2013 during the recital of 'Music with Minster connections' sung by St Peter's Singers of Leeds, directed by Dr Simon Lindley. Leeds Minster, formerly Leeds Parish Church, has a long and distinguished musical history. The list of organists and past organists of the Parish Church of St Peter-at-Leeds is outstanding. 'Music with Minster connections' celebrated both this heritage and the status of Leed...    less

43. International Choir Contest Tolosa, Spain. Certamen Coral de Tolosa. This is a service of Choral Festival Network (CFN) www.choralfestivalnetwork.org Vocal Groups Sacred Music grupos vocales musica religiosa, October 31 2011

Giovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saec...  moreGiovanni Pierluigi da Palestrina (1525-1594) Asperges me, Domine Asperges me Domine hysoppo et mundabor: lavabis me, et super nivem dealbabor. Gloria Patri et Filio, et Spiritui Sancto: Sicut erat in principio et nunc et semper, et in saecula saeculorum, Amen. Asperges me repeated…to dealbabor Psalm 51, Verse 7 [Antiphon at the Sprinkling of Holy Water] Thou shalt purge me, O Lord, with hyssop and I shall be clean:Thou shalt wash me, and I shall be whiter than snow. Glory be to the Father, and to the Son, and to the Holy Ghost:As it was in the beginning, is now and ever shall be: world without end. Amen Book of Common Prayer, Psalm 51, Verse The rite of sprinkling the faithful with holy water at the start of the Medieval mass in every Sunday of the Church’s Year except for Palm Sunday and in Eastertide involved the use of verse seven from the famous Miserere text, the 51st Psalm. Palestrina’s four part setting involves the sustained motto theme of the traditional plainchant melody within the...    less

The Choir of Somerville College, Oxford Douglas Knight, organ David Crown, conductor This is the first track from their CD - ADVENT CALENDAR (Stone Records 5060192780338).

This well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, w...  moreThis well-known setting by Tomas Luis de Victoria (1548-1611) of Popule meus, the lengthy series of chants known as Improperia, or Reproaches, which occur at the liturgical climax of Good Friday, during the special service of the Adoration of the Cross, was recorded on Saturday 2nd April 2011 during St Peter's Singers' recital of sacred polyphony for Passiontide and Tenebrae in the beautiful surroundings and acoustic of St Aidan's Parish Church in Leeds. The Singers are directed by Dr Simon Lindley, Music Director since the choir's foundation in 1977. The plainchant verses are sung by soprano Sarah Kelly, and the solo quartet (positioned remotely from the main choir) comprises soprano Julie Kilburn, alto Lucy Appleyard, tenor Jonathan Morrish and bass Quentin Brown. More information about St Peter's Singers, including details of the choir's 2010-11 programme of recitals, concerts and services, may be found on our website www.stpeters-singers.org.uk and on our Facebook Group page 'St Peter's Singers of L...    less

William Byrd (1543-1623) Emendemus in melius Emendemus in melius quae ignoranter peccavimus; ne subito praeoccupati die mortis, quaeramus spatium poenitentiae, et invenire non possimus. Attende, Domine, et miserere; quia peccavimus tibi.  Baruch, Cha...  moreWilliam Byrd (1543-1623) Emendemus in melius Emendemus in melius quae ignoranter peccavimus; ne subito praeoccupati die mortis, quaeramus spatium poenitentiae, et invenire non possimus. Attende, Domine, et miserere; quia peccavimus tibi.  Baruch, Chapter 3, Verse 2 Versus:Adjuva nos, Deus salutaris noster, et propter honorem[gloriam] nominis tui libera nos.  Psalm 78, Verse 9a Let us amend for the better in those things in which we have sinned through ignorance;  lest suddenly overtaken by the day of death, we seek space for repentance, and be not able to find it. Hearken, O Lord, and have mercy: for we have sinned against thee. Verse:Help us, O God of our salvation, and for the honour [glory] of thy name deliver us.  Psalm, 78, Verse 9a This noble and deeply-felt penitential motet proper to the first day [Ash Wednesday] and the first Sunday [Quadragesima] of the Lenten season is one of the very finest such works from the golden age of English polyphonic music. It comes from the Cantiones Sacra...    less

This lovely Lententide motet was performed at the Parish Church of St Michael and All Angels, Thornhill, West Yorkshire, as part of the Singers' recital of Passiontide Polyphony and organ solos given on Sunday 2nd April 2017. Dr Simon Lindley, the choir...  moreThis lovely Lententide motet was performed at the Parish Church of St Michael and All Angels, Thornhill, West Yorkshire, as part of the Singers' recital of Passiontide Polyphony and organ solos given on Sunday 2nd April 2017. Dr Simon Lindley, the choir's Music Director since its foundation in 1977, directed and also played the organ solos. Thomas Morley 1557/8-1602 Nolo mortem peccatoris Nolo mortem peccatoris; haec sunt verba Salvatoris.[I desire not the death of a sinner; these are the words of the Saviour.] Father, I am thine only Son, sent down from heav’n mankind to save.Father, all things fulfilled and done according to thy will, I have.Father, my will now all is this: Nolo mortem peccatoris.Father, behold my painful smart, taken for man on ev’ry side;Ev'n from my birth to death most tart, no kind of pain I have denied,but suffered all, and all for this: Nolo mortem peccatoris. Thomas Morley’s contribution to British music was inestimable and included the publication of England’s first musi...    less

This lovely anthem by the German composer, conductor and pianist Otto Goldschmidt (1829 - 1907) was made famous by its regular inclusion at the Advent Carol Services at St John's College, Cambridge under the direction of the late Dr George Guest. This ...  moreThis lovely anthem by the German composer, conductor and pianist Otto Goldschmidt (1829 - 1907) was made famous by its regular inclusion at the Advent Carol Services at St John's College, Cambridge under the direction of the late Dr George Guest. This performance was recorded on 5th December 2010 in the Harvey Nichols Espresso Bar in Leeds' magnificent Victoria Quarter in the first of St Peter's Singers' now-traditional annual series of Sunday evening carol concerts there. The choir is directed by Dr Simon Lindley, its Music Director since the Singers' formation in June 1977. More information about St Peter's Singers, including details of forthcoming concerts, recitals and liturgical performances, may be found on the choir's website http://www.stpeters-singers.org.uk and on its Facebook group page 'St Peter's Singers of Leeds'. https://www.facebook.com/groups/111143267532/  less

http://igg.me/at/stpeterssingers William Harris's peerless setting of John Donne's poem "Bring us, O Lord God" is the inspiration behind an exciting and innovative project gathering pace in Leeds this summer. We're planning to perform and record a program...  morehttp://igg.me/at/stpeterssingers William Harris's peerless setting of John Donne's poem "Bring us, O Lord God" is the inspiration behind an exciting and innovative project gathering pace in Leeds this summer. We're planning to perform and record a programme of modern sacred music in the fabulous space and acoustic that is Leeds' Victoria Quarter. We are appealing to as many people as possible to participate in the project by giving whatever they would like, in return for a reward or perk. It's quite a good way of pre-ordering the CD! please visit link: http://igg.me/at/stpeterssingers "Bring us, O Lord God, at our last awakening, into the house and gate of heaven, to enter into that gate and dwell in that house, where there shall be no darkness nor dazzling, but one equal light; no noise nor silence but one equal music; no fears nor hopes but one equal possession; no ends nor beginnings but one equal eternity; in the habitations of thy Glory and Dominion, world without end. Amen." John Donne (1572-1631) ...    less