Call Your Girlfriend Arr. Mark Brymer Body Percussion - Ashleigh Hiltabidel

Wake Up Call, by Zulfikar Nathoo -- Laudate Singers Information: Commissioned by Laudate Singers, Wake Up Call is a modern conceptual piece with conflicting themes of chaos and order. Moog synthesizer: Tim Tsang Alto saxophone: Campbell Ryga Te...  moreWake Up Call, by Zulfikar Nathoo -- Laudate Singers Information: Commissioned by Laudate Singers, Wake Up Call is a modern conceptual piece with conflicting themes of chaos and order. Moog synthesizer: Tim Tsang Alto saxophone: Campbell Ryga Tenor saxophone: Ross Taggart Conductor: Lars Kaario Laudate Singers http://www.laudatesingers.com Voices, Sax & Syn concert March 12, 2011 St Andrews United Church, North Vancouver, Canada  

John Williams conducts the Mormon Tabernacle Choir, Orchestra at Temple Square, and International Children's Choir in performing the 2002 Winter Olympic theme song "Call of the Champions" during the Cultural Olympiad concert, February 9, 2002. "Call of th...  moreJohn Williams conducts the Mormon Tabernacle Choir, Orchestra at Temple Square, and International Children's Choir in performing the 2002 Winter Olympic theme song "Call of the Champions" during the Cultural Olympiad concert, February 9, 2002. "Call of the Champions" was composed by John Williams for the 2002 Olympic Games. Subscribe to our channel for more music like this: https://www.youtube.com/user/MormonTabChoir “Citius, Altius, Fortius!” That was the soaring sound that was heard during the Salt Lake 2002 Winter Olympic Games. Those three Latin words, meaning “Faster, Higher, Stronger,” echoed throughout millions of homes as people around the world tuned in to watch those games. “Call of the Champions” was a spectacular collaboration that inspired hearts and lifted spirits of a nation still reeling from the September 11, 2001, terrorist attacks. The Mormon Tabernacle Choir performed the national anthem at the opening ceremonies, which included a tribute using the flag that was flown at Ground Zero. ...    less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   Last week in Now THAT’S what I Call singing! Volume 1 I shared some of my favourite songs from Europe: Corsica, Georgia, Russian orthodox, gypsy, th...

[this is a version of a post which first appeared on my blog From the Front of the Choir]   I’ve suddenly realised I don’t know what to Call myself any more. I used to be a ‘choirmaster’ (a term I got from Gareth Malone and...

[A version of this article first appeared as a post on my blog From the Front of the Choir]   One place I work at, they Call my workshops ‘singers weekends’.     Somebody once told me they couldn’t come on one ...

#choral #creation #felixmendelssohn #elijah Having set them up for a spectacular failure, Elijah mocks the priests: Perhaps Baal is so bored with their ministrations that he’s taken a brief intermission, or even a nap. With increasing anxiety, the pr...  more#choral #creation #felixmendelssohn #elijah Having set them up for a spectacular failure, Elijah mocks the priests: Perhaps Baal is so bored with their ministrations that he’s taken a brief intermission, or even a nap. With increasing anxiety, the priests Call on Baal a second time. Dusk approaches. Still no fire. Still no Baal. Things turn from just plain embarrassing to rather desperate for the priests of Baal. Elijah turns more aggressive this time, urging them to mutilate themselves before their god in an effort to gain his attention. The followers of Baal make one last frenzied appeal, but the final supplication collapses, to stunned silence: For extra insurance, Elijah has dampened all surrounding noise from the wind, the birds and the trees, so no one can falsely claim any natural sound to be the oncoming voice of Baal. - GNAAS-KNUST Choir #anticipate #choral #classicalmusic #elijah #felixmendelssohn #theyoutubeexperience #koncertonline #koncerto  less

This sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, Call Thou late, to...  moreThis sanctuary of my soul, Unwitting I keep white and whole, Unlatch'd and lit, if Thou should'st care To enter or to tarry there. With parted lips and outstretch'd hands, And list'ning ears Thy servant stands. Call Thou early, Call Thou late, to Thy great service dedicate. My soul, keep white, and whole. (poem by Charles Hamilton Sorley) Sung at Canterbury Cathedral during our Royal School of Church Music Summer Course in 1986, under Martin How. I (David W Solomons) was one of the altos. John Huntley - a fellow alto - recorded this performance.  less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I had a Girlfriend who believed that we are all capable of anything if we just put enough effort in.   Photo by _foam   She believed that ...

Jazzchor Freiburg www.jazzchorfreiburg.de Music, Words & Arrangement by Bertrand Gröger & Klaus Frech Vocal Percussion Julian Knörzer Recorded, mixed & mastered by Henrik Birk Aaboe Produced by Jens Johansen, Bertrand Gröger & Klaus Frech Animati...  moreJazzchor Freiburg www.jazzchorfreiburg.de Music, Words & Arrangement by Bertrand Gröger & Klaus Frech Vocal Percussion Julian Knörzer Recorded, mixed & mastered by Henrik Birk Aaboe Produced by Jens Johansen, Bertrand Gröger & Klaus Frech Animation: Moritz Flachsmann & Nina Christen This song is taken from the CD "A Cappella" (2012) CD and sheet music available at www.acappellazone.com © Schott Music GmbH & Co. KG _____________________________________ A CAPPELLA - Jazzchor Freiburg releases new CD Since it was founded two decades ago, Jazzchor Freiburg has always excited its audiences in Germany and abroad, convinced juries of international competitions, and gotten renowned soloists on board. Under the direction of its founder Bertrand Gröger, the choir remained so successful with the accompaniment of its band; the perfect balance between choir vocals and rhythm combo remains the trademark of Jazzchor Freiburg. But now, the renowned choir has produced its first purely a cappella CD. In 11...    less