A sampling of Shakespeare Songs by Matthew Harris. Performed by Kantorei of Kansas City for their album, "Music and Sweet Poetry: Choral Music by Matthew Harris," set for release by Resonus Classics in February of 2014. www.resonusclassics.com www.kantor...  moreA sampling of Shakespeare Songs by Matthew Harris. Performed by Kantorei of Kansas City for their album, "Music and Sweet Poetry: Choral Music by Matthew Harris," set for release by Resonus Classics in February of 2014. www.resonusclassics.com www.kantoreikc.org Matthew Harris has composed six books of Shakespeare Songs featuring many song texts that appear in various plays. www.matthewharrismusic.com  

As the finale to the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, we performed Jaako Maantijaarvi's first three Shakespeare Songs, culminating on our playful, crafty interpretation to this famous text from MacBeth....  moreAs the finale to the Vocal Art Ensemble's "INKSPELL--Choral Music Inspired by Masters of Poetry" concerts, we performed Jaako Maantijaarvi's first three Shakespeare Songs, culminating on our playful, crafty interpretation to this famous text from MacBeth. The women shed their shawls and toss them into the center to represent the ingredients being dropped into the bubbling 'cauldron'.  

Setting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar. Performed by the composer.

Setting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar. Performed by the composer. Thrice the brinded cat hath mew'd Thrice and once the hedgepig whin'd Harper cries: 'Tis time, 'tis time. ...  moreSetting of the incantation of the three witches in Shakespeare's Macbeth, for three altos and guitar. Performed by the composer. Thrice the brinded cat hath mew'd Thrice and once the hedgepig whin'd Harper cries: 'Tis time, 'tis time. Round about the cauldron go; In the poison'd entrails throw. Toad, that under cold stone Days and nights hast thirty one Swelter'd venom sleeping got, Boil thou first i' the charmed pot. Double, double toil and trouble; Fire burn and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt, and toe of frog, Wool of bat, and tongue of dog, Adder's fork, and blind-worm's sting, Lizard's leg, and howlet's wing, For a charm of powerful trouble, Like a hellbroth boil and bubble. Double, double toil and trouble; Fire burn and cauldron bubble. Scale of dragon, tooth of wolf, Witch's mummy, maw and gulf Of the ravin'd saltsea shark, ...    less

The Fourth Choir is announcing an international choral composition competition to commemorate the 400th anniversary of the death of William Shakespeare, which will fall on 23 April 2016. The winner of the competition will receive a prize of £1000 an...

Performed by Universitair Koor Antwerpen at their Christmas concert "A Midwinter Night's Dream" on December 13-14, 2016. Piano: Peter Jeurissen Camera: Jelmer Lokman, Robin Van Limbergen, Ben Verhaegen Sound: Johan De Cock

Setting for three altos and ostinato guitar of the witches' cauldron scene in Shakespeare's Macbeth. Created specially for Halloween.

The work was composed by Franco Prinsloo to commemorate the 400th anniversary of the death of William Shakespeare. 126 of the 154 Sonnets were addressed to – and inspired by – a beautiful Young Man who embodied for Shakespeare everything that was finest i...  moreThe work was composed by Franco Prinsloo to commemorate the 400th anniversary of the death of William Shakespeare. 126 of the 154 Sonnets were addressed to – and inspired by – a beautiful Young Man who embodied for Shakespeare everything that was finest in the world. The work is a melancholic love song that is based on a folk like melody underlined by a constant pedal point, resembling the sound of bagpipes.  

from: Songs and Sonnets from Shakespeare Performed by Universitair Koor Antwerpen at a Provincial Choir Competition on March 12, 2017. Piano: Stijn Dierckx

from: Songs and Sonnets from Shakespeare Performed by Universitair Koor Antwerpen at a Provincial Choir Competition on March 12, 2017. Piano: Stijn Dierckx