Viderunt Omnes by Mikołaj Zieleński, a.k.a. Nicolaus Zielenski - transposed for men's voices Viderunt Omnes fines terræ salutare Dei nostri. Alleluia All the ends of the earth have seen the salvation of our God. Alleluia (The score link is for...  moreViderunt Omnes by Mikołaj Zieleński, a.k.a. Nicolaus Zielenski - transposed for men's voices Viderunt Omnes fines terræ salutare Dei nostri. Alleluia All the ends of the earth have seen the salvation of our God. Alleluia (The score link is for the original SATB version)  

This is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently po...  moreThis is a transposed version of Malcolm Sargent's "Zither Carol". It is based on a Czech Furiant (a fast dance with metre shifting between duple and triple time) called "Sedlák, sedlák", which was also sung as a light-hearted and frolicsome song gently poking fun at a corpulent farmer. The words of the carol are by Malcolm Sargent himself. Girls and boys, leave your toys. make no noise, Kneel at His crib and worship Him. At Thy shrine, Child divine, we are Thine, Our Saviour's here. "Hallelujah!" the church bells ring, "Hallelujah!" the angels sing, "Hallelujah!" from ev'rything. All must draw near. (etc)  less

Purcell's Hear my prayer o Lord transposed down a minor third for men's voices.

This version of The Snow by Alice and Edward Elgar is transposed for men's voices (so the second violin becomes a viola) This men's voices version is not yet published so the link references the original SSA version

Omnes Ensamble Vocal Masculino was a mexican vocal group (1995-2009). Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, c...  moreOmnes Ensamble Vocal Masculino was a mexican vocal group (1995-2009). Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia musical y música contemporánea, entre otros. Sus últimas presentaciones fueron hechas en 2009.  

Omnes Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia musical y música contemporánea, ...  moreOmnes Ensamble Vocal Masculino Grupo mexicano fundado en 1995 cuyo repertorio abarca desde el canto bizantino, canto gregoriano, polifonía, lieder, espirituales negros, música mexicana, boleros, música infantil, comedia musical y música contemporánea, entre otros. Sus últimas presentaciones fueron hechas en 2009. Grabación realizada en Toluca en 1998. Integrantes: Miguel Ángel Angulo, tenor I. Jorge García-Fajardo, tenor II. Armando Becerra, barítono. Javier Martínez-Ramírez, bajo. Director: Mtro. Jorge García Fajardo. Correo: giorgiopipo@hotmail.com  less

voices: ChoralTracks https://www.cpdl.org/wiki/index.php/O_vos_Omnes_(Scott_Villard)

Score (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato...  moreScore (for the original higher voice setting) https://www.sheetmusicplus.com/title/3949102?aff_id=175705 Lotti's 6 part setting of the Crucifixus sung by the dwsChorale, transposed down for men's voices Crucifixus etiam pro nobis; sub Pontio Pilato passus et sepultus est. Translation He was crucified also for us, under Pontius Pilate he suffered and was buried.  

This is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) versio...  moreThis is the final section from my Modal Mass (men's voices version) This setting of the Communion Service uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). A higher (SATB) version of the whole mass is also available (sung by Matthew Curtis)