The choir of Somerville College, Oxford David Crown, conductor Robert Pecksmith, organ New College Chapel, Oxford 28 October 2011 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com

A setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 20...  moreA setting of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual "New Works New Hope" concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. “Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive.“ - Cindy Bell  less

2009. Georgy Sviridov. Poem in memory of Sergey Esenin. Conductor: Denis Kirpanyov Soloist: Pavel Polyaninov (tenor) choirs: Nizhny Novgorod State University choir, Chamber choir "Nizhny Novgorod" Orchestra: Nizhny Novgorod State Philharmonic Orchestra

Johann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 7: Wir essen und leben wohl (Chorale) The choir of Somerville College, Oxford Musicians of the Dreaming Spires Douglas Knight (organ) David Crown (conductor) St. Michael at the North...  moreJohann Sebastian Bach: Christ lag in Todesbanden, BWV 4 Versus 7: Wir essen und leben wohl (Chorale) The choir of Somerville College, Oxford Musicians of the Dreaming Spires Douglas Knight (organ) David Crown (conductor) St. Michael at the North Gate, Oxford 9 March 2012 Facebook: http://www.facebook.com/somervillechoir Website: http://www.somervillemusicsociety.com  

Recorded at the church of St Vedast Alias Foster, City of London, 25th April 2015. Directed by James Davey.

Recorded at the church of St Vedast Alias Foster, City of London, 25th April 2015. Directed by James Davey.

【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 鋼琴/ 楊郁雯 曲: Einojuhani Rautavaara 芬蘭當代知名作曲家勞塔瓦拉（Einojuhani Rautavaara， 1928-），節選四首二十世紀著名西班牙詩人羅卡（FederícoGarcía Lorca， 1898-1936）的詩作譜成，樂曲帶有神秘主義思維，以強烈的頑固節奏、尖銳的和聲和戲劇張力，刻畫羅卡一貫帶有悲劇色彩的詩詞，本曲亦是勞塔瓦拉最具代表性...  more【wow! 合唱】音樂會 時間/ 2014年9月20日 地點/ 大東文化藝術中心 指揮/ 朱如鳳 鋼琴/ 楊郁雯 曲: Einojuhani Rautavaara 芬蘭當代知名作曲家勞塔瓦拉（Einojuhani Rautavaara， 1928-），節選四首二十世紀著名西班牙詩人羅卡（FederícoGarcía Lorca， 1898-1936）的詩作譜成，樂曲帶有神秘主義思維，以強烈的頑固節奏、尖銳的和聲和戲劇張力，刻畫羅卡一貫帶有悲劇色彩的詩詞，本曲亦是勞塔瓦拉最具代表性的作品，四個樂章各有千秋，一氣呵成： 1. 騎士之歌（Canción de jinete） 男低音演唱頑固低音貫穿全曲，象徵著騎士所騎的矮黑馬不停的往前走，而女聲扮演敘事者角色，並利用不諧和音程表現出詭譎緊張的氣氛。 2. 尖嘯（El Grito ） 作曲家以現代音樂的滑音技巧模擬奸嘯聲，營造神祕驚悚的畫面。 3. 月亮探出頭來（La lunaasoma） 樂章起始，以女聲的同音、二度轉換，製造音響張力，敘述故事場景，並使用滑音營造出無亙的空間感。接著，透過下三聲部平行和弦烘托出夜晚的色彩，女高音獨唱突破凝重的氣氛，最後回到一開始的同音二度轉換技法，相互呼應。 4. 馬拉加女孩（Malagueña） 男低音回溯第一樂章的頑固低音，形容死神急切的的腳步聲，上三聲部仍使用大量平行和弦闡述故事脈絡，歌詞重複之後，其他聲部陸續加入八分音符頑固音型，表現死神的逼近。 1. Canción de jinete騎士之歌 Córdoba. Lejana y sola. Jacanegra, Luna grande, y aceitunas en mi alforja Aunquesepalos caminosyonuncallegaré acórdoba Por el llano, Por elviento, Jacanegra, Lunaroja. La muerte me estámirandodesdelastorres de córdoba. Ay quécaminotanlargo, Aymi jacavalerosa. Ay quélamuertemeespera，antesde llegaracórdoba Córdoba.Lejana y sola. ...    less

Chór Filharmonii Częstochowskiej Collegium Cantorum Director Janusza Siadlaka

for SATB Chorus unaccompanied Sung in Hebrew Music by Salomone Rossi and Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. The music by Stanley M. Hoffman is © Copyright 2010 by Stanley M. Hoffman. www.sta...  morefor SATB Chorus unaccompanied Sung in Hebrew Music by Salomone Rossi and Stanley M. Hoffman Synthesized performance and scrolling score in search of live performances. The music by Stanley M. Hoffman is © Copyright 2010 by Stanley M. Hoffman. www.stanleymhoffman.com All rights reserved. The sheet music is available from the composer and from oySongs.com.  

Tallis: Third Tune From Archbishop Parker's Psalter (Why Fum'th in Sight) - The Waldorf Student choir, conductor: László Bencze. Recorded on 04. 04. 2012. in the BTM Castle Museum, Budapest