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video:
Johann Sebastian Bach: Jesus bleibet meine Freude (BWV 147)
The Choir of Somerville College, Oxford
Robert Pecksmith (organ)
David Crown (conductor)
Somerville College Chapel, Oxford
28 April 2013
Website: http://www.somervillechoir.com
Facebook: http://www.facebook.com/somervillechoir
Organist's Websit... moreThe Choir of Somerville College, Oxford
Robert Pecksmith (organ)
David Crown (conductor)
Somerville College Chapel, Oxford
28 April 2013
Website: http://www.somervillechoir.com
Facebook: http://www.facebook.com/somervillechoir
Organist's Website: http://www.robert-smith.org.uk
blog:
Lecture on Stanford with Professor Jeremy Dibble
As part of the Royal School of Church Music's events to mark the centenary of the Death of Charles Villiers Stanford, the noted Stanford expert, Jeremy Dibble (University of Durham), will give an illustrated lecture on Stanford's music at Queens' College,...
video:
Nänie (Lament for a songbird) by Robert Schumann
Trio by Robert Schumann lamenting the Death of a songbird, performed by the dwsChorale (D W Solomons multi-tracking) (transposed)
I've used images of meadow saffron since those are the flowers mentioned in the poem, although they are not strictly speakin... moreTrio by Robert Schumann lamenting the Death of a songbird, performed by the dwsChorale (D W Solomons multi-tracking) (transposed)
I've used images of meadow saffron since those are the flowers mentioned in the poem, although they are not strictly speaking red...
The sources of the images are as follows
Canaries in cage (in Treviso) taken by me
Wikimedia
single meadow saffron Luc Viatour (Lviatour)
group of meadow saffron Chris Dixon (Stemonitis)
Canary - (Magnus Colossus)
Rosebud - (Amada44)
video:
When David heard that Absolom was slain
Motet by Thomas Tomkins - one of the greatest emotional expressions of the late Renaissance.
Absalom, son of King David, was a handsome prince and considered by some to be worthy of the throne of Israel, even before David's Death.
One day, as Absalom w... moreMotet by Thomas Tomkins - one of the greatest emotional expressions of the late Renaissance.
Absalom, son of King David, was a handsome prince and considered by some to be worthy of the throne of Israel, even before David's Death.
One day, as Absalom went riding, a tree's branches caught his luxuriant hair and he hung there helpless. He was slain by his enemies. King David was inconsolable.
Performed by the dwsChorale, a multitracking one-man choir
video:
Viva Coldplay Acapella by Acastella
http://www.facebook.com/stellenbosch.acapella
Arranged by: Antoni Schonken
The Stellenbosch based acapella group, Acastella, performing their version of Coldplay, including Lost!, Death and all of His friends, Fix You, Paradise, Viva La Vida and Every T... morehttp://www.facebook.com/stellenbosch.acapella
Arranged by: Antoni Schonken
The Stellenbosch based acapella group, Acastella, performing their version of Coldplay, including Lost!, Death and all of His friends, Fix You, Paradise, Viva La Vida and Every Teardrop is a Waterfall.
Performed at The Maties Talent Final, Endler Hall, Stellenbosch, South Africa
acastella.stellies@gmail.com
video:
Hugo Distler(1908-1942) - Ensemble Nobiles, Sjaella
Commemorating the 70th anniversary of Hugo Distler's Death, two successful vocal ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five yo... moreCommemorating the 70th anniversary of Hugo Distler's Death, two successful vocal ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five young gentlemen of the Ensemble Nobiles represent some of the highlights from Distler's choral oeuvre: the Jahrkreis op. 5, and the Geistliche Chormusik op. 12.
One of the composer's best-known works, the Totentanz op. 12 no. 2, stands at the heart of this disc. The fourteen motets for Eternity Sunday contained in the Totentanz op. 12 no. 2 were set to music by Hugo Distler and form the work's musical part. Distler accompanies the motets with non-musical verses that narrate a dialogue between Death and his numerous victims.While on the present recording some of the victims' roles are spoken by the singers themselves, Heinz-Martin Benecke lends Death his charismatic voice.
The Totentanztopos is known especially through its pictorial representations of Death'... less
blog:
Stanford Singing Break at Queens' College Cambridge, 12-14 July
12-14 July 2024
Come and sing choral music by Charles Villiers Stanford in the magnificent setting of Queens’ College, Cambridge, in an exclusive weekend course hosted by the Royal School of Music to mark the centenary of the composer’s Death...