Coral Infantil y Juvenil del Colegio Pureza de María de Madrid. Más de sesenta voces de entre 3 y 16 años entregadas a la música para conseguir la educación integral en valores culturales y educativos de sus miembros.

[A version of this article first appeared as a post on my blog From the Front of the Choir]   There is one vital ingredient to being a good singer.   Photo by Peter Smile   It’s not innate talent or Vocal range or ability...

שמיניית ווקאל בהופעה במוזיאון תל אביב עיבוד: אורלי מזור-יובל

Vocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno...  moreVocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno Che l’altro non faria di mezzogiorno. Cantaron Gloria gli Angeli nel cielo E meritaro' udir sì dolci accenti Pastori che guardavano gli armenti. Quivi trovaro' in vili panni avvolto Il fanciul, con Gioseffe e con Maria O benedetta e nobil compagnia! Recorded at: Sombor, Galerija savremene umetnosti Gradskog muzeja Sombor 10.12.2022.  less

About the Choir The Udiana Choir (formerly, Kolot Hasadeh) was founded by Anat Aharoni at Kibbutz Harduf in 2004. Udiana is unusual on the Israeli scene, has appeared on some of the best stages in the country, and is praised highly by the audiences. ...  more About the Choir The Udiana Choir (formerly, Kolot Hasadeh) was founded by Anat Aharoni at Kibbutz Harduf in 2004. Udiana is unusual on the Israeli scene, has appeared on some of the best stages in the country, and is praised highly by the audiences. The Choir sings mainly a capella, with an emphasis on current Music, and integrates improvisation, drumming, and movement. Udiana has been supported by the Ministry for Culture and Sport since 2012. We aim to express processes in human development, so we build our programs around subjects that we research from different angles, including “Prayer”, “Song of the Earth”, “Peace”, and “Water”. In 2016 we created a program called “Silence” in collaboration with the Israeli Brass Quintet. In 2017 the subject was “My Soul Returns to the Fire”, where we explored the quality of fire in our lives. Stemming from the desire to support Israeli composers, and with the aim of being a part of the Israeli Music scene, every year we invite another Israeli composer to create ...    less

指揮Conductor：連芳貝Tracy Lien 薩克斯風Sax：李昆峰 We tried a new style of Music, featuring the combination of sacred Music with saxophone improvisation. This part including 5 songs from different times： 1.Gregorian chant【Ave Maria】 2.Giovanni Croce【O Vos Omne...  more指揮Conductor：連芳貝Tracy Lien 薩克斯風Sax：李昆峰 We tried a new style of Music, featuring the combination of sacred Music with saxophone improvisation. This part including 5 songs from different times： 1.Gregorian chant【Ave Maria】 2.Giovanni Croce【O Vos Omnes】 3.Jacques Arcadelt【Ave Maria】 4.G. P. da Palestrina【Adoramus te】 5.Morten Lauridsen【O Magnum Mysterium】  

Our Music for your Choir - sheet Music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy Novembe...  moreOur Music for your Choir - sheet Music and mp3's available through www.stoneandtara.com/songbook The Witches' Dialogue©2021 Anke de Bruijn & Peter Duiverman For SATB Choir a capella. Background notes to 'The Witches' Dialogue' On a rainy November morning, I was taking a walk with a friend. We found ourselves talking about a man who we knew only vaguely and who had been very ill for several years. We had heard recently that he was dying of cancer. The only thing we really knew about him was that he had lived a fairly miserable life. My friend told me how she and two other women had once helped a dying man by holding his feet, letting him know that it was safe to let go. Then we stopped short on the forest road and looked at each other. ‘I think we should hold his feet,’ one of us said. ‘Now?’ ‘We can always try. Thoughts have power.’ So we closed our eyes, stood for minutes next to an old, gnarled tree, and focused on the man who we imagined as lying alone in a hospital bed. When we opened o...    less

Have you ever wonderd if there is a good tool out there for assisting in managing the day to day running of the chorus or Vocal group?   Our managment team has! We tried writing our own web based management application.  It worked pretty well bu...

Si ch’io vorrei morire Claudio Monteverdi Conjunto Vocal de Cámara de la Municipalidad de Quilmes Seminarista activo: Carlos Andrés Aciar Año 1993