Viva was founded as "Sandnes Music School's Girls Choir" in 1968, and was opened for boys in 1997, with the new name Sandnes Musikkskoles Ungdomskor (SMUK). In 2007 the name was changed to"VIVA, Sandnes Kulturskolekor", Viva for sh...  moreViva was founded as "Sandnes Music School's Girls Choir" in 1968, and was opened for boys in 1997, with the new name Sandnes Musikkskoles Ungdomskor (SMUK). In 2007 the name was changed to"VIVA, Sandnes Kulturskolekor", Viva for short, when we talk about us. Our leading text for working with the children is what Pablo Casals once said: "Each second we live is a new and special moment, a never returning moment. We should tell every child: "Do you know what you are? You are a miracle! You are wonderful! In the whole wide world there is no-one like you!""  less

The "Corale S. Domenico Savio" was born in 1999 with the desire to build through music, experience of collaboration and sharing. Over the years the interest in polyphony, the study of the repertoire and the Vocal approach has grown. The group...  moreThe "Corale S. Domenico Savio" was born in 1999 with the desire to build through music, experience of collaboration and sharing. Over the years the interest in polyphony, the study of the repertoire and the Vocal approach has grown. The group has joined the A.R.S. cori (Regional Association of Choirs of Sicily) and consequently to FENIARCO (National Association of Choirs) with the involvement in all the regional and national demonstrations promoted by the aforementioned organism: exhibitions, concerts and gatherings for Choirs. Numerous shows are made, we mention some more suggestive: the performance of some unpublished musical works by don Luigi Sturzo edited by Nicolò Maccavino of the Italian Society of Musicology (2003).  "The word sung" the multimedia show for chorus-voices, video projections and orchestra (2009); the CD recording of the traditional POPO MEO of the Easter Triduum in Scordia (2009); the event "et incarnatus est", symphonic lyric concert for solo...    less

Performance of "Mate Saule" by Vasks at the 2014 Florilege Vocal de Tours Grand Prix.

"Butterfly" by Mia Makaroff and Anna-Mari Kähärä. Originally recorded by Rajaton. http://www.rajaton.net Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers Ensemble of the ...  more"Butterfly" by Mia Makaroff and Anna-Mari Kähärä. Originally recorded by Rajaton. http://www.rajaton.net Recorded live on Sunday, May 5, 2013, at All Saints Episcopal Church in Fort Lauderdale, Florida. Performed by the Chamber Singers Ensemble of the Girl Choir of South Florida. Artistic Director: Wallis Peterson. Men's Ensemble: Bradley Peterson, Joshua Peterson, Cameron Robertson, Malcolm Rogers, Peter Strouss, and Josh Thomas. Sweet is the sound of my newborn wings I stretch them open, and let them dry I haven't seen this world before But I'm excused, I'm a butterfly Sweet is the touch of your newborn wings We fly in circles, we play with the sun We haven't seen this world before So fair, so bright, so blue the sky Love me, love me on the leaves Before we say goodbye Love me, kiss me with the breeze You will be my lullaby Tomorrow I'll die Tomorrow I'll die Tomorrow I'll die Tomorrow I'll die Be my lullaby Love me, kiss me with your breeze Love me, love me on the leaves Lov...    less

Dr. Barlow Bradford conducts the University of Utah Choirs in his own rendition of O Come, All Ye Faithful at the Libby Gardner Concert hall for the 2012 Christmas Showcase.

This post originally appeared on Helping You Harmonise in December 2011. A discussion over on Choralnet from a couple of weeks back has prompted to me write about a phenomenon I’ve been thinking about for a while. The main subject is about the ro...

MEDITATIONES SACRÆ two meditations for female Choir (SSAA) with finger cymbals and musical glasses I. Visionem for female Choir (SSAA) and finger cymbals II. Meditabor for female Choir (SSAA) and musical glasses text in Latin: Th...  moreMEDITATIONES SACRÆ two meditations for female Choir (SSAA) with finger cymbals and musical glasses I. Visionem for female Choir (SSAA) and finger cymbals II. Meditabor for female Choir (SSAA) and musical glasses text in Latin: The Communion hymn & The Offertory chant for the 2nd Sunday of Lent music by: Andrej Makor (b. 1987) Napisano / Composed: Zg. Škofije, 19. VI. 2015 Posvetilo / Dedication: Dedicated to Ana Erčulj and Vocal group GALLINA LIVE RECORDING and FIRST PERFORMANCE: Vokalna skupina Gallina / Ladies' Vocal quartet Gallina, Ljubljana, Slovenia Ana Erčulj, artistic leader (P) 2016 by Vokalna skupina Gallina, Ljubljana, Slovenija Snemalec / Recorded by: Danilo Ženko Posneto v živo / Live Recording in: samostan Pleterje / Pleterje Charterhouse church, Slovenia Uporabljeno z dovoljenjem / Used by Permission / AM/AE IX/2016 NOTE / SHEET-MUSIC: AS 34.141/12 - Celostna izdaja / Complete Edition INFO: http://www.astrum.si/view_product.php?product=MEDYJH3CUX ...    less

Music by: Ryan Cayabyab Choral Arrangement by: Lester Delgado

RES is dedicated to the enjoyment, study and performance of great choral music, to an international standard of excellence, and to fostering the appreciation of this music. Founded in 1951 by the late Richard S. Eaton, RES has played a leading role in Edm...  moreRES is dedicated to the enjoyment, study and performance of great choral music, to an international standard of excellence, and to fostering the appreciation of this music. Founded in 1951 by the late Richard S. Eaton, RES has played a leading role in Edmonton’s cultural community for more than six decades. In addition to presenting its own concerts, the Choir is a regular guest of the Edmonton Symphony Orchestra, and collaborates frequently with other Edmonton Ensembles, including the Alberta Baroque Ensemble in this performance. It has also collaborated with other Canadian Choirs in the past, including the Calgary Philharmonic Chorus, the Vancouver Bach Choir and the Winnipeg Philharmonic Choir. This past summer RES embarked on a two week tour of Germany, highlighted by performances at the St. Thomas Church in Leipzig, where Bach was Kapellmeister for much of his career.  less