A song in honor of the Holy Spirit, performed by Elinor Vocal Ensemble Text: John Gowans Click here to subscribe: https://bit.ly/3pTNpRs Follow Elinor: Facebook: https://www.facebook.com/elinor.Ensemble Instagram: https://www.instagram.com/elin...  moreA song in honor of the Holy Spirit, performed by Elinor Vocal Ensemble Text: John Gowans Click here to subscribe: https://bit.ly/3pTNpRs Follow Elinor: Facebook: https://www.facebook.com/elinor.Ensemble Instagram: https://www.instagram.com/elinor.ense... https://www.elinorEnsemble.eu Musica production Church of the Holy three kings, Benedikt April 2022 #elinorEnsemble #concert  

Minutiae Ensemble with Robert Feguš, art. director http://www.minutiae.si

Vocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno...  moreVocal Ensemble "Quadrivia" Members: Alto: Tamara Ivanić Tenor: Jovo Ivanić Baritone: Karlo Hameder Bass: Aleksandar Mijailović Nell'apparir del sempiterno Sole - Soto de Langa Nell’apparir del sempiterno sole Ch’a mezzanotte più riluce intorno Che l’altro non faria di mezzogiorno. Cantaron Gloria gli Angeli nel cielo E meritaro' udir sì dolci accenti Pastori che guardavano gli armenti. Quivi trovaro' in vili panni avvolto Il fanciul, con Gioseffe e con Maria O benedetta e nobil compagnia! Recorded at: Sombor, Galerija savremene umetnosti Gradskog muzeja Sombor 10.12.2022.  less

Best Vocal Group of 13. International Choral Competition Gallus, Maribor 2015 Ensemble Nobiles - Abendständchen (Felix Mendelssohn Bartholdy) - free program 13. mednarodno zborovsko tekmovanje Gallus Maribor 2015 (Prosti program) Ensemble Nobiles ...  moreBest Vocal Group of 13. International Choral Competition Gallus, Maribor 2015 Ensemble Nobiles - Abendständchen (Felix Mendelssohn Bartholdy) - free program 13. mednarodno zborovsko tekmovanje Gallus Maribor 2015 (Prosti program) Ensemble Nobiles - Abendständchen (Felix Mendelssohn Bartholdy)  

A join project between Swara Vocal Ensemble (Belgium) and Parahyangan Catholic University Choir (Indonesia). Ivan Yohan, conductor Besa el aura que gime blandamente, GL 53/1 Composer: Gonçalo Lourenço Lyric: Gustavo Adolfo Bécquer Photo slides: Ivan Yohan

Commemorating the 70th anniversary of Hugo Distler's death, two successful Vocal Ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five yo...  moreCommemorating the 70th anniversary of Hugo Distler's death, two successful Vocal Ensembles from Leipzig perform together on a single CD for the first time. The three- and four-voice motets recorded by the young ladies of the Sjaella sextet and the five young gentlemen of the Ensemble Nobiles represent some of the highlights from Distler's choral oeuvre: the Jahrkreis op. 5, and the Geistliche Chormusik op. 12. One of the composer's best-known works, the Totentanz op. 12 no. 2, stands at the heart of this disc. The fourteen motets for Eternity Sunday contained in the Totentanz op. 12 no. 2 were set to music by Hugo Distler and form the work's musical part. Distler accompanies the motets with non-musical verses that narrate a dialogue between death and his numerous victims.While on the present recording some of the victims' roles are spoken by the singers themselves, Heinz-Martin Benecke lends death his charismatic voice. The Totentanztopos is known especially through its pictorial representations of death'...    less

http://thiosomilos.de/index.php/shop http://facebook.com/thiosomilos info@thiosomilos.de Lebensgebete - Romantische Vokalmusik aus dem 19. und 20. Jahrhundert Music and Devotion - Romantic Vocal Musik of the 19th and 20th Centuries © 2013 Rondeau...  morehttp://thiosomilos.de/index.php/shop http://facebook.com/thiosomilos info@thiosomilos.de Lebensgebete - Romantische Vokalmusik aus dem 19. und 20. Jahrhundert Music and Devotion - Romantic Vocal Musik of the 19th and 20th Centuries © 2013 Rondeau Production GmbH Playing time: 66 min Tracking list: 1) Gioachino Rossini (1792-1868): Preghiera 2) Joseph Gabriel Rheinberger (1839-1901): Neujahrsgebet 3) Joseph Gabriel Rheinberger: Ave Maria 4) Edvard Grieg (1843-1907): Ave maris stella 5) Česlovas Sasnauskas (1867-1916): Salve Regina 6) Peter Cornelius (1824-1874): Mitten wir im Leben sind 7) Peter Cornelius: Ach wie nichtig, ach wie flüchtig 8) Max Reger (1873-1916): Lass mich dein sein und bleiben 9) Alexander B. Smith (1889-1950): My Soul, There is a Country 10-13) Francis Poulenc (1899-1963): Quatre petites prières de saint François d'Assise 14) Erna Woll (1917-2005): Lobgesang des Simeon 15) Erna Woll: Freundliches Licht 16) Erhard Mauersberger (1903-1982): Allmächtiger Gott 17) Erhar...    less

We specialise in original a cappella arrangements of pop songs, as well as parodies and original comedy numbers of our own. From Melbourne, Australia.

KCKCC The Standard performance and clinic at the 2016 JENerations Jazz Festival as a part of the Jazz Educators Network National Conference in Louisville, KY. Friday, January 8th at 10am. Clinicians are Rosana Eckert and Greg Jasperse. Arrangement by Britt Quentin.

Cantilena Women's Choir was established in 2006 and has been conducted by Lana Bernardes since that time. Today it comprises 23 selected singers, Cantilena meaning "lightweight song", deriving from the Latin word for &quo...  moreCantilena Women's Choir was established in 2006 and has been conducted by Lana Bernardes since that time. Today it comprises 23 selected singers, Cantilena meaning "lightweight song", deriving from the Latin word for "song" or "melody". Whenever possible, during concerts the members of the choir wear a pearl necklace to represent the significance of the activities pursued: each member of the choir is represented by one of the pearls, with the strand linking them all being the music - the main purpose of so much hard work to achieve artistic quality. As well as being an extremely feminine accessory, it also illustrates the quality, refinement, finish and musical beauty that the Academia Concerto pursues. The formation of groups of like voices in Brazil is not very common and, therefore, requires constant research to seek out specialised repertoire, both in Brazil and abroad, making appropriate arrangements or adaptations of pieces for ...    less