We are refreshing the new tradition and coming back to Budapest, the country of Kodály Method. Let's  celebrate and promote choral music, let us spread the value and experience of singing in a Choir - as Kodály said: Music should belong...

You Don't Know Nothing performed by MLADA Choir Conductor: Olga Vyguzova Пермский хор «Млада», Пермь Художественный руководитель: Ольга Выгузова (Заслуженный деятель искусств РФ)

The Berlin Girls Choir: concert at the Berlin Philharmonie

WE ARE A WELL RENOWNED GOSPEL Choir THAT'S RATED NUMBER ONE IN THE LOCAL COMMUNITY,WE HAVE A VERY TIGHT SPIRITUAL BOND ,ALSO THE NAME SAYS IT ALL WE HEAL THROUGH MUSIC FOR MORE INFO njabulo0915@gmail.com 0677048325(for calls) 0672738932(whatsapp)

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less

[A version of this article first appeared as a post on my blog From the Front of the Choir]   I wrote a post a a few years back called Do you need singing lessons in order to sing?   Photo by Anna Strumillo   My main point was ...

Loving all kinds of a cappellla music, we sing music of (nearly) all ages and all styles. Renaissance, 19th century, modern choral music, pop, .... - we like nearly every theme and style. We try to use original languages and love to engage us in music whi...  moreLoving all kinds of a cappellla music, we sing music of (nearly) all ages and all styles. Renaissance, 19th century, modern choral music, pop, .... - we like nearly every theme and style. We try to use original languages and love to engage us in music which is not often heard. We go on stage in self-organized concerts, but perform in smaller occasions, too.  

Zulu church/ protest song: "The walls of Jericho are falling." Understood to be a reference to the fall of apartheid. As sung by the Polokwane Choir, taught by Northern Harmony. This is from The OK Chorale's first ever public concert in Woodbridge, Suf...  moreZulu church/ protest song: "The walls of Jericho are falling." Understood to be a reference to the fall of apartheid. As sung by the Polokwane Choir, taught by Northern Harmony. This is from The OK Chorale's first ever public concert in Woodbridge, Suffolk, UK on 24 March 2012. Not the best of lighting! Also a bit shouty in places as it was many of the singers' first time in front of an audience. www.chrisrowbury.com  

African-American choral music grew out of the oral tradition of spirituals that was created by African slaves.  These songs, influenced by Christianity and rooted in African culture, expressed the hardship and hope of African slaves in the United Sta...

Our songs for your Choir - the Stone&Tara Songbook Stone&Tara (Anke de Bruijn - vocals & Peter Duiverman - piano) started out as a blues duo with a passion for a lot of other styles too, like latin-american, jazz, seventies pop, and classical music. When...