The Vocal Art ensemble presented their rendition of "O Sapo (The Toad" arranged by Stephen Hatfield as part of their "Cloudburst--Sounds of Nature" concert in May 2011. intended to chronicle the evolution of Earth's creatures, this piece shows the utter j...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreThe Vocal Art ensemble presented their rendition of "O Sapo (The Toad" arranged by Stephen Hatfield as part of their "Cloudburst--Sounds of Nature" concert in May 2011. intended to chronicle the evolution of Earth's creatures, this piece shows the utter joy of a toad hopping around his kingdom on our green planet. The women dance and the men join in with percussion and 'toad calls'.  

Registrazione live del Concorso Corale Nazionale del Lago Maggiore - Verbania - Ottobre 2015

Elinor ensemble Robert Feguš, art. director https://elinorensemble.eu

Performed by ensemble Laude Women's choir, directed by Elizabeth MacIsaac and Carolyn Howe, January 2017. www.ensemblelaude.org

Laboravi - Lean-Philippe Rameau (1683-1764) Live recording by A5 vocal ensemble, Convento de Santo Tomás (Sevilla) - 29/06/2018 Video author: andrew Arthur Breese Author webpage: https://vimeo.com/user2673276 Licence: ATTRIBUTION LICENSE 3.0 (http:...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreLaboravi - Lean-Philippe Rameau (1683-1764) Live recording by A5 vocal ensemble, Convento de Santo Tomás (Sevilla) - 29/06/2018 Video author: andrew Arthur Breese Author webpage: https://vimeo.com/user2673276 Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org/licenses/by/3.0/us/)  

Elinor ensemble strives to achieve the level of singing that enables recording of thematically diverse programmes, concert performances in excellent halls and participation in national as well as international music festivals. The artistic director of the...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">moreElinor ensemble strives to achieve the level of singing that enables recording of thematically diverse programmes, concert performances in excellent halls and participation in national as well as international music festivals. The artistic director of the ensemble is Robert Feguš. Elinor ensemble: Elizabeta Košir - soprano, Aldina Clarisa Ban - mezzosoprano, Lea Arnejčič - alto, Robert Feguš - tenor, Kristjan Furman - baritone, Marko Žagar - bass Follow Elinor: https://www.facebook.com/elinor.ensemble https://www.instagram.com/elinor.ensemble/ https://www.elinorensemble.eu Recording Producers: Produkcija Musica Camera and sound recording: Valerija Dukarić Hotel Mitra, Ptuj December 2021  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less

I'm always trying to get more men singing.   For some reason some men don't like mixed group, but prefer to sing with their own kind. I must admit that there is something special about hearing all male (or all Female) voices in harmony together - i...

ensemble in Contrà Conductor: Roberto Brisotto Live recording 1/4/2017 Chiesa di San Lorenzo Martire Campomolino di Gaiarine (TV) - ITALY

“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's inversion ensemble for their Planet Home project. The score blossomed during a fel...  ink" href="javascript:void(0);" onclick="$(this).getParent().getNext().style.display='';$(this).getParent().style.display='none';">more“The Red Wheelbarrow,” an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's inversion ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line. "The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text." Trevor Shaw, inversion ensemble AD  ink" href="javascript:void(0);" onclick="$(this).getParent().getPrevious().style.display='';$(this).getParent().style.display='none';">less