A comic song by David W Solomons for a-cappella Choir based on the folksong "early one morning" . The anti-hero is a dupe for everything that's going. Sung by the composer (multitrack)

Performed by Gresley Male Voice Choir June 2016 Composer JM Capel, Words Clifton Bingham "The Geisha" 1896

Zachary J. Moore, composer Larry Studt, poet Sheet Music: http://zacharyjmoore.com/i-wont-forget/ Luther College, Choir Dr. Andrew Last, conductor

This jaunty melody with countermelodies has been written for an a cappella Choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware tha...  moreThis jaunty melody with countermelodies has been written for an a cappella Choir of SATBB with splits in some of the voices from time to time. The words are my own and tell of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing. The performance here is by the Composer's Choir conducted by Daniel Shaw.  

The Addison Singers Chamber Choir need a few extra voices (SATB but especially basses) for our upcoming concert with the renowned composer GAVIN BRYARS on 17th May 2014.  http://www.gavinbryars.com/calendar/london-performance-jesus-blood-plus-other-c...

I Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "Thi...  moreI Thank You God was commissioned by the American Choral Directors Association (ACDA) and premiered at the National ACDA Convention in February, 1999. The text is adapted from the E.E. Cummings poem of the same name. Composer Gwyneth Walker writes: "This is a poem of grandeur and of praise. Therefore it might be expected that this musical setting would aim at vastness, grandeur and awakening." Walker accomplishes this through a variety of means. First, the piano introduction includes slowly unfolding piano arpeggios which focus on open intervals of octaves, fifths and fourths, exploiting the full range of the piano keyboard. The composer also takes the singers on a harmonic journey which begins in a low register in C minor, and then travels through a number of other key areas until it reaches the distant key of G-flat. At this point, the voices are drawn closely together into a tone cluster containing the pitches G-flat, A-flat and B-flat, only to open apart into the glorious C major chords which conclude the ...    less

I am Sergey Khvoshchinsky, a composer. I stand with the people of Israel, with the people of Ukraine. I am strongly against any violence against Human being. We came into this world for Happiness, not for Pain and Tears. Я - Сергей Хвощинский, композитор....  moreI am Sergey Khvoshchinsky, a composer. I stand with the people of Israel, with the people of Ukraine. I am strongly against any violence against Human being. We came into this world for Happiness, not for Pain and Tears. Я - Сергей Хвощинский, композитор. Я поддерживаю народ Израиля, народ Украины. Я категорически против любого насилия над Человеком. Мы пришли в этот мир для Счастья, не для Боли и Слез.  

An a cappella setting for SATB Choir of French poet Theophile Gautier's text. Written by Canadian composer Jeff Smallman. Please leave a comment.

A setting for women's Choir of the Renaissance carol by Canadian composer Jeff Smallman. Available in both SSA and SATB versions from Lighthouse Music Publications. ww.lighthousemusicpublications.com

Greetings! I am Crt Sojar Voglar, a composer from a small European country, Slovenia. Although I am probably best known for my instrumental music (especially for concertos and chamber music for winds) I am recently extremely interested to write more chora...