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group:
Soul of the City Singing in the Pub
Want to bring some joyful Singing to your life?
Our Singing in the Pub sessions are on the third Thursday of every second month. At the next one we'll be learning a whole song in 2/3 part harmony in 90 minutes then jamming it with a live guitarist!
... moreWant to bring some joyful Singing to your life?
Our Singing in the Pub sessions are on the third Thursday of every second month. At the next one we'll be learning a whole song in 2/3 part harmony in 90 minutes then jamming it with a live guitarist!
Grab your friends, a drink and let's sing some sparkly tunes....The songs will be a surprise - that's part of the fun!
With drinks deals at the bar - we'll have the happiest of happy hours!
Everyone is welcome - everyone can sing - even the friend who insists they can't, they can!
Pub Singing is all about fun!
No experience necessary just bring your voice and we’ll do the rest - shower singers, this is for you!
7.30pm - Arrive and drinks, 8pm - We Sing!
£7 advance (plus 70p booking fee) on Meetup - Soul of the City Choir, £9 on the door
Tickets sold quickly last time so we do recommend nabbing your ticket early just in case we can't fit you in on the door.
Come and sing, it really is a lot of fun! less
group:
Singing safari
Twice a year Chris Rowbury creates a choir from scratch over just six rehearsals. There are no auditions and all songs are taught by ear. The idea is that we go on an imginary Singing Safari collecting exotic songs from around the world. The Singing Safar... moreTwice a year Chris Rowbury creates a choir from scratch over just six rehearsals. There are no auditions and all songs are taught by ear. The idea is that we go on an imginary Singing Safari collecting exotic songs from around the world. The Singing Safari began at the Warwick Folk Festival in 2006, and continued in 2011 when Chris moved to Suffolk. The winter safari ends in a shared concert in Ipswich, and the summer safari is a free half hour performance outdoors. Each safari learns about eight songs in 3- and 4-part harmony. less
video:
The silver swan by Orlando Gibbons
The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against the reedy shore,
Thus sung her first and last, and sung no more:
“Farewell, all joys; Oh death, come close mine eyes;
More geese th... moreThe silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against the reedy shore,
Thus sung her first and last, and sung no more:
“Farewell, all joys; Oh death, come close mine eyes;
More geese than swans now live, more fools than wise.”
video:
The Silver Swan - Adolphus Hailstork
Recorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert.
Text:
"The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against ... moreRecorded on 5/3/2024 at Our Beautiful Savior's Lutheran Church in Tucson, AZ as part of our "Modern Madrigals" concert.
Text:
"The silver swan, who living had no note,
When death approached, unlocked her silent throat;
Leaning her breast against the reedy shore,
Thus sang her last, and sang no more:
'Farewell, all joys; Oh death, come close mine eyes;
More geese than swans now live, more fools than wise.' "
- Orlando Gibbons (1583 - 1625)
Program notes:
A famous text also famously used by Gibbons himself for his own Madrigal, Hailstork here pays homage to the work's 16th-century roots. An early composition (written while in college) from the proflic composer, Hailstork combined his own language with his love for choral literature to create a piece reminiscent of the Renaissance with a modern flair. The harmonic language harkens back to a hexachordal modality of the 16th century, uses an unaccompanied SATB choir, and employs varied moments of imitative polyphony and homophony. This short wor... less
blog:
ALBION - Carols with Albion Buxton 2015
ALBION - Carols with Albion Buxton 2015 (preview)
Event Date: November 27, 2015
undatedby Andrew Throssell
Views:
Location: England, United Kingdom
Carols with Albion: Buxton 2015
Saturday 19 December at 7.00pm (note earlier time)St John's...
group:
Women of Note Massachusetts
We are a dynamic and fun group of women that dedicates our Monday night rehearsals to developing a program and song style that shows our talent and skill in the a cappella style. We have a large variety of rep and do many sing outs as well as compete twic... moreWe are a dynamic and fun group of women that dedicates our Monday night rehearsals to developing a program and song style that shows our talent and skill in the a cappella style. We have a large variety of rep and do many sing outs as well as compete twice a year in the Harmony Inc. organization.
video:
Robin Adair, arranged for choir
Robin Adair
arranged for SATB choir
(sung, transposed down in this video, by the one-man multitrack choir dwsChorale)
[Note: a few textual errors have crept into the performance - but the score has the correct words]
The original tune was composed... moreRobin Adair
arranged for SATB choir
(sung, transposed down in this video, by the one-man multitrack choir dwsChorale)
[Note: a few textual errors have crept into the performance - but the score has the correct words]
The original tune was composed with the words Eibhlin a Ruin (Ellen Aroon or Eileen Aroon) by the Irish bard Carroll O'Daly (14th Century),
although it was later attributed to the 18th century Irish composer Charles Coffey (this was presumably an arrangement of the original).
The words of "Robin Adair" itself are understood to be by Lady Caroline Keppel, who was in love with a surgeon by that name.
(This seems more likely than the theory that Robert Burns wrote it, although Burns certainly knew Keppel's lyrics and made his
own parodies upon the words).
Some later versions of the melody contain "Scotch snaps" but this version follows the simplest melodic line, without the Scotch snaps - possibly O'Daly's original tune? - and with quite romantic choral harmonies.
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