[A version of this article first appeared as a post on my blog From the Front of the Choir]   For some people being a famous singer or being in the best choir in the world or making a hit record or singing a piece perfectly in competition is t...

[A version of this article first appeared as a post on my blog From the Front of the Choir] How long’s a piece of string? There are so many options that I’m not going to specify any particular type or model.   photo by svennev...

Hello Choral Friends, Here's an important reminder for you. Don't forget that Anthony Silvestri and I have collaborated on many pieces. This means that whenever you acquire one of my works, he receives funds that are crucial for his recovery. So, if ...

Hello Choral Community, I am thrilled to share some exciting news that will help you create an unforgettable 2024/25 season! As a composer deeply committed to supporting and uplifting the choral community, I want to offer you something special. Receive ...

DEAR CHORAL FRIENDS, I hope this message finds you well. I wanted to let you know that there are just 3 days left to take advantage of a special 20% discount on "Galaxias," a piece that has resonated deeply with many choirs and audien...

Bridgnorth Choral Society presented an emotional and moving performance of J H Maunder's Olivet to Calvary at their Concert of Easter Music on Saturday night. The piece depicted the last few days of Christ's life on earth, from his entry into Jerusalem an...

A piece for women's choir, piano and cello by Canadian composer Jeff Smallman. Text by E. Pauline Johnson. Published by Lighthouse Music Publications in both SSA & SATB versions.

How was this work created?   Santiago Veros at the age of 19 writes this piece dedicated to a woman who for that time she was shy and he rarely talked with her.Almas de Barro describes intimately the moments of counterpoint classes when these two p...

Message from Philip Lawson - From 2012 I will be moving on from The King's Singers to give myself more time for composing and arranging. If you would like to discuss commissioning a piece from me or organising a choral workshop or arranging seminar pl...

I want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece ha...  moreI want to begin by saying that I struggle to write up-tempo music. As a composer, I tend to lean toward and connect to slow and emotional pieces. I have always been someone who strives to convey emotional complexity, therefore writing an up-tempo piece had to be purposeful and meaningful. The inspiration for this score comes from the first time I was able to hear my son's heartbeat during an ultrasound. It was a magical and exciting moment that I will never forget; however, leading up to that specific moment there was an element of tension. Six months prior to hearing my son's heartbeat, my wife and I found ourselves in a very different situation with the outcome of an ultrasound. We arrived at the hospital excited to meet our child, only to discover we had silently miscarried. I had never felt so deflated and aimless in one sudden moment. It was as if I was a boat, drifting, with no direction in my life. Fast forward to this ultrasound with our soon-to-be son. You can imagine the excitement and fear we bo...    less