International Choir Festival InCanto Mediterraneo

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Cum anima
group: Cum anima

group: Rönninge Rabarber

Far from professional, but good.

East London Evensong Choir
group: EaSt London Evensong Choir

Semi-pro Choir committed to bringing quality sacred choral music to EaSt London in its original liturgical setting. We also undertake occasional Cathedral visits throughout the year. As you'd expect, there's a lot of focus on the music of the English Chor...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Semi-pro Choir committed to bringing quality sacred choral music to EaSt London in its original liturgical setting. We also undertake occasional Cathedral visits throughout the year. As you'd expect, there's a lot of focus on the music of the English Choral Tradition, but we also explore European and American repertoire too.  

Våren (Last Spring) 春天
video: Våren (LaSt Spring) 春天

2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 詩:Aasmund Vinje韋恩葉 曲:Edvard Grieg葛利格 編曲:Thomas Beck貝克 挪威國民樂派作曲家葛利格(Edvard Grieg, 1843-1907)於1880年採用同年代詩人韋恩葉(Aasmund Vinje, 1818-70)的詩作《十二首歌曲》(Tolv melodier, op.33),〈春天〉是其中第二首,原為一首獨唱曲,因著作者對此曲甚為喜愛,也將其改寫為弦樂...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">2012十週年音樂會 高雄市文化中心至德堂 2012-11-16 指揮: 朱如鳳 詩:Aasmund Vinje韋恩葉 曲:Edvard Grieg葛利格 編曲:Thomas Beck貝克 挪威國民樂派作曲家葛利格(Edvard Grieg, 1843-1907)於1880年採用同年代詩人韋恩葉(Aasmund Vinje, 1818-70)的詩作《十二首歌曲》(Tolv melodier, op.33),〈春天〉是其中第二首,原為一首獨唱曲,因著作者對此曲甚為喜愛,也將其改寫為弦樂團曲。 本曲曲名或可譯為「晚春」,描寫一將死之人,眼見人生最後一個春天的感慨與期盼,據說葛利格是為紀念一位早逝的朋友而譜寫此曲,兩段重複的歌詞,展現平易、真摯的情感。本版本則是由挪威當代作曲家貝克(Thomas Beck),改編成的無伴奏混聲合唱曲。 Enno ei gong fekk eg vetren at sjå for våren at røma; Heggen med tre som der blomar var på, eg atter såg bløma. Enno ei gong fekk eg isen at sjå frå landet at fljota. Snjoen at bråna og fossen i å at fyssa og brjota. Graset det grøne eg enno ein gong fekk skoda med blomar; Enno eg høyrde at vårfuglen song mot sol og mot sumar. Ei gong eg sjølv i den vårlege eim, som mettar mitt auga, Ei gong eg der vil meg finna ein heim og symjande lauga. Alt det, som våren i møte meg bar og blomen, eg plukkad', Federnes åndir eg trudde det var, som dansad' og sukkad'. Derfor eg fann millom bjørkar og bar i våren ei gåta; Derfor det ljod...    Style.display='';$(this).getParent().Style.display='none';">less

Fix Me, Jesus
video: Fix Me, Jesus

【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 2. Fix Me, Jesus修整我,耶穌 編曲Robert L. Morris 羅伯特.莫里斯 這首歌所表達的,是經歷人生的低谷時,面對永恆生命內心產生的謙卑,以及看見自己不足時所發出的嘳嘆!長而圓滑的旋律線條、極具表現力的速度與力度變化,深刻詮釋出字裡行間由衷的真誠。 作曲的莫里斯(Robert L. Morris, 1943-)教授,是利莫利斯合唱團(Le...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">【貳和唱】音樂會 時間 / 2015年6月28日 地點 / 高雄市文化中心至善廳 指揮 / 林志信 2. Fix Me, Jesus修整我,耶穌 編曲Robert L. Morris 羅伯特.莫里斯 這首歌所表達的,是經歷人生的低谷時,面對永恆生命內心產生的謙卑,以及看見自己不足時所發出的嘳嘆!長而圓滑的旋律線條、極具表現力的速度與力度變化,深刻詮釋出字裡行間由衷的真誠。 作曲的莫里斯(Robert L. Morris, 1943-)教授,是利莫利斯合唱團(Leigh Morris Chorale)的創辦人,也是麥卡萊斯特學院(MacaleSter College)的合唱指導與指揮。他畢生致力於教育聽眾非裔美國人的古典音樂、以及合唱音樂的傳統。 Oh, fix me, oh, fix me, O my Lord, fix me. Fix me, Jesus, fix me. Fix me for my long white robe, Oh, fix me, Jesus, fix me. Fix me for my Starry crown, fix me, Jesus, fix me. Oh, fix me, oh, fix me, O my Lord, fix me. Fix me, Jesus, fix me. Fix me for my dying bed, O Lord! fix me, Jesus, fix me. Fix me for my journey home, fix me, Jesus, fix me. O Lord, fix me, O Lord! Oh fix me my Lord! Fix me, Jesus, fix me. 哦!修整我,哦!我主,修整我, 修整我,耶穌,修整我。 修整我,為了我的白色長袍, 哦!修整我,耶穌,修整我。 修整我,為了我閃閃發光的冠冕, 修整我,耶穌,修整我。 哦!修整我,哦!我主,修整我, 修整我,耶穌,修整我。 主啊!修整我,為了我臨終的時刻, 修整我,耶穌,修整我。 修整我,為了我歸家的旅程, 修整我,耶穌,修整我。 主啊!修整我,主啊! 噢!修整我,我主。 修整我,耶穌,修整我。  Style.display='';$(this).getParent().Style.display='none';">less

St Laurence Catford
group: St Laurence Catford

Our small but talented Choir consiSts mainly of young people. All Choir members receive a firSt-rate musical education. There has been a long tradition of musical excellence at St Laurence’s. The original church, built in the 1880s, had a Strong Choir ...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Our small but talented Choir consiSts mainly of young people. All Choir members receive a firSt-rate musical education. There has been a long tradition of musical excellence at St Laurence’s. The original church, built in the 1880s, had a Strong Choir of men and boys who took part in the FeStival of Britain services in 1951. When the new church was opened in 1968, the musical tradition continued. A new Walker organ was inStalled in the church, using some pipework from the old organ and Directors of Music have included David Sanger, Professor Roger Wibberley, Paul DewhurSt, Tom Fowkes, Marcus Wibberley, Iain Simcock and Andrew Ibbotson. The current Director of Music is Huw Morgan. Girls were firSt admitted to the Choir some ten years ago, but the Choir remains unique in this part of south-eaSt London in that it continues to use only trebles (girls and boys) on the top line. The lower parts are provided by volunteer adults from the local community. Young people receive an excellent musical education, and ...    Style.display='';$(this).getParent().Style.display='none';">less

The Messiah pt 1-11 Exultate Festival Choir & Orchestra
video: The Messiah pt 1-11 Exultate FeStival Choir & OrcheStra

Thomas Rossin conducts Händel's maSterwork in concert. Andrew Barrett, Tenor, Robert Sunderin, Bass, Lea Kirdatt, Alto, Sarah Zimmerman, Soprano

Charnwood Voices
group: Charnwood Voices

Charnwood Voices, formerly Shepshed Singers, is a four part SATB Choir of some 45 voices based in Charnwood, LeiceStershire. Founded in 1977, the Choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better k...  Style.display='';$(this).getParent().Style.display='none';">moreStyle="display:none;">Charnwood Voices, formerly Shepshed Singers, is a four part SATB Choir of some 45 voices based in Charnwood, LeiceStershire. Founded in 1977, the Choir has gained a well-deserved reputation for performing neglected and unfamiliar music as well as better known and popular pieces, both sacred and secular. New members are welcome and encouraged to attend three rehearsals before an informal voice appraisal.